GERMANY

Explore the latest from German artists.

Hans-Christian Schink's Slowness as Method in Hinterland

Hans-Christian Schink’s Slowness as Method in Hinterland

Bildband Berlin: Support Photography Bookshops #3

Bildband Berlin: Support Photography Bookshops #3

Land's End: Trauma is a Strange Attractor

Land’s End: Trauma is a Strange Attractor

Benjamin Pfau: Isthmus, A Nocturnal Biopic

Benjamin Pfau: Isthmus, A Nocturnal Biopic

Ute and Werner Mahler: Kleinstadt Keep and Kin

“In a dialogue where it is often difficult not to mention “medium specificity”, it would be fair in jest to contemplate why photography’s utility is toward change and simultaneously toward stasis. Stasis is where comfortablility lies, but this position also breeds contempt.”

Hayahisa Tomiyasu: TTP, An Immoveable Feat

“Berlin was cold and grey... but we made up the “scene” an alien escape from this condition... no morals, cold and hot and cruel and shiny, all at once... excessive for sure. The free spirit of the city supplied a fertile ground for life as an experiment”

Eva Maria Ocherbauer: Interview Berlin West, Haus der Tat

“Though the clues to what could be considered “absent” “voided” or “gone” are not to be entirely championed nor ignored, the work follows a circular format. It is an examination of place and home and the subject’s way of seeing the familiar and unfamiliar at the same time. This inquiry of Schmidt’s is adept if not deftly demonstrative.”

Loops and Voids: A Perspective on Michael Schmidt’s Berlin Nach 1945

Explore the German Archives

From 2008-now, explore the vast archives of ASX.