Since 2008, an Epicenter for Art & Photography. Alexander Rosenkranz: CITY CUT OFFThe Modesty of Fundamental Signs: Recent Books by Pablo López LuzMassimiliano Tommaso Rezza PSALMEiko Grimberg RÜCKSCHAUFEHLERGerry Johansson EskerEiji Ohashi: Roadside Lights Seasons: WinterMarco Marzocchi: How To Destroy EverythingPacifico Silano I Wish I Never Saw the SunshineJermaine Francis Something That Seems So Familiar Becomes DistantErik Gustafsson This is FarewellBas Losekoot Out of PlaceJon Cazenave GalernaThe Mindfulness of Death: Deanna Dikeman’s Leaving and WavingOxiea Villamonte Next of KinAnton Roland Laub Last Christmas (of Ceaușescu)Lin Zhipeng No. 223 Grand AmourCarl Bigmore Between Two MysteriesStephan Keppel Soft Copy Hard Copy Interview Highlights. An Interview with Thomas Sauvin: On Smoker’s Ettiquette and the Right to NitrateA Short Interview with Saul Leiter (2013)A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’Francis Bacon – Photographs, Painting, Destructive Criticism and MoreJH Engstrom Talks Photography, Transformation and Love for ParisGritty 1980’s NYC and the Glorious Intuition of Richard SandlerBarbara Kruger Interview on Race, Stereotypes, Public Art and Interviews (1991)The Last Francis Bacon Interview – On Violence, Meat and Photography Popular Articles. An Interview with Eugene Richards: ‘Cocaine True, Cocaine Blue’ (1995)Larry Clark on Cutting through the Bullshit and Hypocrisy of America (2007)Larry Sultan on Ambiguity and Refraining from Narrative that is ‘Too Well Formed’An Interview with Sergio Leone (1987)Paul Graham – “Photography is Easy, Photography is Difficult” (2009)Philip-Lorca diCorcia on ‘A Storybook Life’: Circular Narratives, Dream States and Doing What You LikeBlood Loss and the Spectral Dissonance of Self in Aaron McElroy’s “The Devil May Care”Robert Frank Interviewed at Wellesley College (1977)An Interview with Fred Herzog – ‘In His Own Words’ (excerpts)Lisette Model: “A History of Street Photography” (2001)ASX Interviews Antoinette de Jong and Robert Knoth (2012)An Interview with Emmet Gowin (1998) All Interviews Gallery Features. Mike Brodie: “Tones of Dirt and Bone”Stanley Kubrick’s Photographs of 1940’s NYCGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”Vivan Maier: Chicago’s Street PhotographerSaul Leiter’s Color Street Photography – The Palette of NYCRaymond Pettibon: “I Don’t Love You Anymore” Street Photography Highlights. Jermaine Francis Something That Seems So Familiar Becomes DistantBas Losekoot Out of PlaceRebecca Norris Webb Night CallsRuminations on Paul Graham’s A1 The Great North RoadSergio Purtell: Love’s Labour Review by Zak DimitrovPeter Mitchell: Early Sunday Morning, Signs & ReasonsThoughts on Manuel Álvarez Bravo’s Color WorkStephen Shore: Transparencies VS. American Surfaces 2020Gordon Parks: The Atmosphere of Crime, 1957/2020MoMA Press Release: Garry Winogrand (1988)KEIZO KITAJIMA: “NEW YORK”A Short Interview with Saul Leiter (2013) Essay Highlights. Andreas Gursky and ‘The Iron Cage of Boredom’Thomas Ruff: Aesthetic of the PixelNotes on Five Key Jean-Michel Basquiat WorksJean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000)The Animals and Their Keepers: Garry Winogrand and Photography After September 11thDiane Arbus MoMA Exhibition Wall Label Text (1972) Review Highlights. Xiaopeng Yuan: The Liminality of Capitalist AnxietyWilliam Klein’s Tokyo PopWhere You Weren’t When We Were: SMILERWe Continue On Blithely With Our Own Economic Flagellation (2014)Walter Keller: Beruf: Verleger. A TributeVincent Ferrané: Iconography XXV Figures of Jeanne DamasVasantha Yogananthan’s AfterlifeUte and Werner Mahler: Kleinstadt Keep and KinUrsula Schulz-Dornburg: Yerevan 1996/1997Understanding Guido Guidi: In Veneto and LunarioUdo Hesse: Tagesvisum Ost-BerlinTorbjørn Rødland’s Confabulations! Sweet Box Cutter Butter
