Since 2008, an Epicenter for Art & Photography. Tatum Shaw’s PLUSGOOD! Color CorrectedThe Art of Breaking Things Well: Vincent Levrat’s OutburstThomas Sauvin: In Opposition, The Mirror LiesHelga Paris: Leipzig Hauptbanhof 1981/82Dieter Keller: Das Auge Des KriegesAmericans Parade – an interview with George GeorgiouLewis Baltz on Ed van der Elsken, Edward Weston and Wright Morris (2009)Masuda Yoshinori: Tiger 2Emilie Lauriola Le Bal, Paris: Support Photobook Shops #5John Divola: Chroma and Spectrum OppositionThe Impossible Science of a Unique Being: Peter Watkins’ The UnforgettingDaisuke Morishita:A Raking Trilogy of Indexical Shadows Interview Highlights. ‘This Is Where I’m From’: An interview with JH Engström by Catherine AnyangoAn Interview with Thomas Sauvin: On Smoker’s Ettiquette and the Right to NitrateA Short Interview with Saul Leiter (2013)A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’Francis Bacon – Photographs, Painting, Destructive Criticism and MoreJH Engstrom Talks Photography, Transformation and Love for ParisGritty 1980’s NYC and the Glorious Intuition of Richard SandlerBarbara Kruger Interview on Race, Stereotypes, Public Art and Interviews (1991) Popular Articles. INTERNET GOTHIC in Doug Rickard’s ‘N.A.’David LaChapelle, Neo-Pop and Photoshop (2007)The (Im)possibilities to Shoot as a White Photographer on the African ContinentJacob Holdt: American Pictures – A Foreigner’s Perspective on Social Injustice in the United StatesASX Interviews Antoinette de Jong and Robert Knoth (2012)Stephen Shore: “Uncommon Places” (2004)Montauk, Andy Warhol and His Fascinating Neighbor Peter BeardAn Interview with Larry Clark – “Outlaw No More” (1984)The Garry Winogrand Problem (1988)O. WINSTON LINK: “AMERICAN RAILROADS”Ed van der Elsken – “Love on the Left Bank” (1954)An Interview with Garry Winogrand (1981) All Interviews Gallery Features. Mike Brodie: “Tones of Dirt and Bone”Stanley Kubrick’s Photographs of 1940’s NYCGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”Vivan Maier: Chicago’s Street PhotographerSaul Leiter’s Color Street Photography – The Palette of NYCRaymond Pettibon: “I Don’t Love You Anymore” Street Photography Highlights. MoMA Press Release: Garry Winogrand (1988)KEIZO KITAJIMA: “NEW YORK”A Short Interview with Saul Leiter (2013)Mark Cohen’s ‘Grim Street’ – the Bang of the Flash and the Crop of the HeadGritty 1980’s NYC and the Glorious Intuition of Richard SandlerGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”ASX.TV: Mark Cohen – “Photographer” (1982)Joel Meyerowitz – “Photographer” (1982)Lee Friedlander: “An Exemplary Modern Photographer (excerpt)” (1975)Don Hudson – “From the Archives” (2012)The Animals and Their Keepers: Garry Winogrand and Photography After September 11thTony Ray-Jones: Photographs of America and England (1968) Essay Highlights. Andreas Gursky and ‘The Iron Cage of Boredom’Thomas Ruff: Aesthetic of the PixelNotes on Five Key Jean-Michel Basquiat WorksJean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000)The Animals and Their Keepers: Garry Winogrand and Photography After September 11thDiane Arbus MoMA Exhibition Wall Label Text (1972) Review Highlights. Xiaopeng Yuan: The Liminality of Capitalist AnxietyWilliam Klein’s Tokyo PopWhere You Weren’t When We Were: SMILERWe Continue On Blithely With Our Own Economic Flagellation (2014)Walter Keller: Beruf: Verleger. A TributeVincent Ferrané: Iconography XXV Figures of Jeanne DamasUte and Werner Mahler: Kleinstadt Keep and KinUrsula Schulz-Dornburg: Yerevan 1996/1997Understanding Guido Guidi: In Veneto and LunarioUdo Hesse: Tagesvisum Ost-BerlinTorbjørn Rødland’s Confabulations! Sweet Box Cutter ButterTorbjørn Rødland: ‘Sasquatch Century’ – Pathology of a Sacred Striptease
