Since 2008, an Epicenter for Art & Photography. Awoiska van der Molen’s The Living MountainTenzing Dakpa: The Super-familiarity of HomeJM Ramírez-Suassi: Fordlândia InterviewGordon Parks: The Atmosphere of Crime, 1957/2020Khadija Saye: In this Space…Tatum Shaw’s PLUSGOOD! Color CorrectedThe Art of Breaking Things Well: Vincent Levrat’s OutburstThomas Sauvin: In Opposition, The Mirror LiesHelga Paris: Leipzig Hauptbanhof 1981/82Dieter Keller: Das Auge Des KriegesAmericans Parade – an interview with George GeorgiouLewis Baltz on Ed van der Elsken, Edward Weston and Wright Morris (2009) Interview Highlights. ‘This Is Where I’m From’: An interview with JH Engström by Catherine AnyangoAn Interview with Thomas Sauvin: On Smoker’s Ettiquette and the Right to NitrateA Short Interview with Saul Leiter (2013)A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’Francis Bacon – Photographs, Painting, Destructive Criticism and MoreJH Engstrom Talks Photography, Transformation and Love for ParisGritty 1980’s NYC and the Glorious Intuition of Richard SandlerBarbara Kruger Interview on Race, Stereotypes, Public Art and Interviews (1991) Popular Articles. Nan Goldin: The Other becomes The OneIncoming: Photography, Contemporary Art, WhitenessAn Interview with Henri Cartier-Bresson – Famous Photographers Tell How (1958)An Interview with Fred Herzog – ‘In His Own Words’ (excerpts)An Interview with Malick Sidibé (2009)ASX.TV: Interview – “Francis Bacon – Fragments of a Portrait” (1966)Photography Is Not Magic: Photographic Images and their Digital SpiritWilliam Eggleston, Mystagogue (1999)Walker Evans: “Message from the Interior”‘This Is Where I’m From’: An interview with JH Engström by Catherine AnyangoSaul Leiter’s Color Street Photography – The Palette of NYCAmerica’s Most Prominent Locus of Stupidity (Florida) – Paul Kwiatkowski ‘And Every Day Was Overcast’ (2013) All Interviews Gallery Features. Mike Brodie: “Tones of Dirt and Bone”Stanley Kubrick’s Photographs of 1940’s NYCGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”Vivan Maier: Chicago’s Street PhotographerSaul Leiter’s Color Street Photography – The Palette of NYCRaymond Pettibon: “I Don’t Love You Anymore” Street Photography Highlights. Gordon Parks: The Atmosphere of Crime, 1957/2020MoMA Press Release: Garry Winogrand (1988)KEIZO KITAJIMA: “NEW YORK”A Short Interview with Saul Leiter (2013)Mark Cohen’s ‘Grim Street’ – the Bang of the Flash and the Crop of the HeadGritty 1980’s NYC and the Glorious Intuition of Richard SandlerGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”ASX.TV: Mark Cohen – “Photographer” (1982)Joel Meyerowitz – “Photographer” (1982)Lee Friedlander: “An Exemplary Modern Photographer (excerpt)” (1975)Don Hudson – “From the Archives” (2012)The Animals and Their Keepers: Garry Winogrand and Photography After September 11th Essay Highlights. Andreas Gursky and ‘The Iron Cage of Boredom’Thomas Ruff: Aesthetic of the PixelNotes on Five Key Jean-Michel Basquiat WorksJean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000)The Animals and Their Keepers: Garry Winogrand and Photography After September 11thDiane Arbus MoMA Exhibition Wall Label Text (1972) Review Highlights. Xiaopeng Yuan: The Liminality of Capitalist AnxietyWilliam Klein’s Tokyo PopWhere You Weren’t When We Were: SMILERWe Continue On Blithely With Our Own Economic Flagellation (2014)Walter Keller: Beruf: Verleger. A TributeVincent Ferrané: Iconography XXV Figures of Jeanne DamasUte and Werner Mahler: Kleinstadt Keep and KinUrsula Schulz-Dornburg: Yerevan 1996/1997Understanding Guido Guidi: In Veneto and LunarioUdo Hesse: Tagesvisum Ost-BerlinTorbjørn Rødland’s Confabulations! Sweet Box Cutter ButterTorbjørn Rødland: ‘Sasquatch Century’ – Pathology of a Sacred Striptease
