Since 2008, an Epicenter for Art & Photography. Dafna Talmor, László Moholy-Nagy & Josh Kern- The Photographic NotebookJesse Lenz: The Locusts Family, Familiarity and FocusBertrand Cavalier Concrete Doesn’t Burn, it Crumbles.Adrian Samson’s MotherDavid Billet & Ian Kline’s Rabbit/Hare Texas ReasonMimi Plumb: Sheltering Under The White SkyJurgen Teller & Harmony Korine William Eggleston 414Ryan Debolski: Remember My Whatsapp Number BroAlex Llovet’s The Escape VelocitySara Perovic: #My Father’s Legs…Mischa Dickerhof’s Rear WindowChris Killip: The Station and a Note of GratitudeAlessandra Sanguinetti The Adventures of Guille & BelindaRuminations on Paul Graham’s A1 The Great North RoadAlexander Arnild Petersen’s From Now OnMartin Bladh & Karolina Urbaniak: The Torture of The 100 PiecesSergio Purtell: Love’s Labour Review by Zak DimitrovLooking at Translucent Glass: Alberto and Carlotta’s An Attic Full of Trains Interview Highlights. ‘This Is Where I’m From’: An interview with JH Engström by Catherine AnyangoAn Interview with Thomas Sauvin: On Smoker’s Ettiquette and the Right to NitrateA Short Interview with Saul Leiter (2013)A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’Francis Bacon – Photographs, Painting, Destructive Criticism and MoreJH Engstrom Talks Photography, Transformation and Love for ParisGritty 1980’s NYC and the Glorious Intuition of Richard SandlerBarbara Kruger Interview on Race, Stereotypes, Public Art and Interviews (1991) Popular Articles. Robert Adams Interviewed – Thomas Weski, John Szarkowski, Shooting 450 Rolls of Film in DenverMontauk, Andy Warhol and His Fascinating Neighbor Peter BeardWilliam Eggleston – “Sit-In at the Fotomat” (2010)NACIO JAN BROWN: “RAG THEATER” (1969-1973)Focus on the Feminine Self and Set Aside the Suicide of Francesca WoodmanConversations on Art with Larry Clark and Ryan McGinley (2003)Hiroshi Sugimoto’s ‘Seascapes’: Measuring Time in RepetitionLarry Clark’s MemoryDash Snow – CollageChance Encounters: Interview with Taiyo Onorato & Nico KrebsTod Papageorge on Robert Adams: ‘The Missing Criticism – What We Bought’Christer Strömholm – ‘Post Scriptum’ (2012) All Interviews Gallery Features. Mike Brodie: “Tones of Dirt and Bone”Stanley Kubrick’s Photographs of 1940’s NYCGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”Vivan Maier: Chicago’s Street PhotographerSaul Leiter’s Color Street Photography – The Palette of NYCRaymond Pettibon: “I Don’t Love You Anymore” Street Photography Highlights. Ruminations on Paul Graham’s A1 The Great North RoadSergio Purtell: Love’s Labour Review by Zak DimitrovPeter Mitchell: Early Sunday Morning, Signs & ReasonsThoughts on Manuel Álvarez Bravo’s Color WorkStephen Shore: Transparencies VS. American Surfaces 2020Gordon Parks: The Atmosphere of Crime, 1957/2020MoMA Press Release: Garry Winogrand (1988)KEIZO KITAJIMA: “NEW YORK”A Short Interview with Saul Leiter (2013)Mark Cohen’s ‘Grim Street’ – the Bang of the Flash and the Crop of the HeadGritty 1980’s NYC and the Glorious Intuition of Richard SandlerGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL” Essay Highlights. Andreas Gursky and ‘The Iron Cage of Boredom’Thomas Ruff: Aesthetic of the PixelNotes on Five Key Jean-Michel Basquiat WorksJean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000)The Animals and Their Keepers: Garry Winogrand and Photography After September 11thDiane Arbus MoMA Exhibition Wall Label Text (1972) Review Highlights. Xiaopeng Yuan: The Liminality of Capitalist AnxietyWilliam Klein’s Tokyo PopWhere You Weren’t When We Were: SMILERWe Continue On Blithely With Our Own Economic Flagellation (2014)Walter Keller: Beruf: Verleger. A TributeVincent Ferrané: Iconography XXV Figures of Jeanne DamasUte and Werner Mahler: Kleinstadt Keep and KinUrsula Schulz-Dornburg: Yerevan 1996/1997Understanding Guido Guidi: In Veneto and LunarioUdo Hesse: Tagesvisum Ost-BerlinTorbjørn Rødland’s Confabulations! Sweet Box Cutter ButterTorbjørn Rødland: ‘Sasquatch Century’ – Pathology of a Sacred Striptease
