Since 2008, an Epicenter for Art & Photography. Maki: (A) Japan SomewhereSébastien Cuvelier Paradise CityStephen Shore Steel TownThe Flame’s Virtues: Leslie Searles’ ¿Quién inicia este incendio?Anne Immelé Oublie OublieInterview: How To Look Natural in PhotosJenna Westra AfternoonsJardín de Mi Padre: An Interview with Luis Carlos TovarKosuke Okahara Blue AffairThana Faroq: I Don’t Recognize Me in the ShadowsKeld Helmer-Petersen Photographs 1941-2013Alexander Rosenkranz: CITY CUT OFFThe Modesty of Fundamental Signs: Recent Books by Pablo López LuzMassimiliano Tommaso Rezza PSALMEiko Grimberg RÜCKSCHAUFEHLERGerry Johansson EskerEiji Ohashi: Roadside Lights Seasons: WinterMarco Marzocchi: How To Destroy Everything Interview Highlights. An Interview with Thomas Sauvin: On Smoker’s Ettiquette and the Right to NitrateA Short Interview with Saul Leiter (2013)A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’Francis Bacon – Photographs, Painting, Destructive Criticism and MoreJH Engstrom Talks Photography, Transformation and Love for ParisGritty 1980’s NYC and the Glorious Intuition of Richard SandlerBarbara Kruger Interview on Race, Stereotypes, Public Art and Interviews (1991)The Last Francis Bacon Interview – On Violence, Meat and Photography Popular Articles. William Eggleston: ‘Draft of a Presentation’ (2003)DANNY LYON: “THE BIKERIDERS”ASX Interviews Antoinette de Jong and Robert Knoth (2012)Jacob Holdt: American Pictures – A Foreigner’s Perspective on Social Injustice in the United StatesINTERNET GOTHIC in Doug Rickard’s ‘N.A.’David LaChapelle – “The Americans”Stephen Shore: “Uncommon Places” (2004)Montauk, Andy Warhol and His Fascinating Neighbor Peter BeardHELEN LEVITT: “COLOR” (1971-1981)Philip-Lorca diCorcia – Interview – ‘Photographs 1975-2012’ (2013)Richard Billingham: “Ray’s a Laugh”Christer Strömholm – ‘Post Scriptum’ (2012) All Interviews Gallery Features. Mike Brodie: “Tones of Dirt and Bone”Stanley Kubrick’s Photographs of 1940’s NYCGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”Vivan Maier: Chicago’s Street PhotographerSaul Leiter’s Color Street Photography – The Palette of NYCRaymond Pettibon: “I Don’t Love You Anymore” Street Photography Highlights. Keld Helmer-Petersen Photographs 1941-2013Jermaine Francis Something That Seems So Familiar Becomes DistantBas Losekoot Out of PlaceRebecca Norris Webb Night CallsRuminations on Paul Graham’s A1 The Great North RoadSergio Purtell: Love’s Labour Review by Zak DimitrovPeter Mitchell: Early Sunday Morning, Signs & ReasonsThoughts on Manuel Álvarez Bravo’s Color WorkStephen Shore: Transparencies VS. American Surfaces 2020Gordon Parks: The Atmosphere of Crime, 1957/2020MoMA Press Release: Garry Winogrand (1988)KEIZO KITAJIMA: “NEW YORK” Essay Highlights. Andreas Gursky and ‘The Iron Cage of Boredom’Thomas Ruff: Aesthetic of the PixelNotes on Five Key Jean-Michel Basquiat WorksJean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000)The Animals and Their Keepers: Garry Winogrand and Photography After September 11thDiane Arbus MoMA Exhibition Wall Label Text (1972) Review Highlights. Xiaopeng Yuan: The Liminality of Capitalist AnxietyWilliam Klein’s Tokyo PopWhere You Weren’t When We Were: SMILERWe Continue On Blithely With Our Own Economic Flagellation (2014)Walter Keller: Beruf: Verleger. A TributeVincent Ferrané: Iconography XXV Figures of Jeanne DamasVasantha Yogananthan’s AfterlifeUte and Werner Mahler: Kleinstadt Keep and KinUrsula Schulz-Dornburg: Yerevan 1996/1997Understanding Guido Guidi: In Veneto and LunarioUdo Hesse: Tagesvisum Ost-BerlinTorbjørn Rødland’s Confabulations! Sweet Box Cutter Butter
