Since 2008, an Epicenter for Art & Photography. Ulrich Wüst Cityscapes 1979–1985Mohamed Bourouissa PériphériqueLuigi Ghirri: Puglia. Tra albe e tramontiSeiichi Furuya FIRST TRIP TO BOLOGNA 1978 / LAST TRIP TO VENICE 1985Yannick Cormier Dravidian CatharsisAnna Lim Anxiety On/OffMattia Parodi & Piergiorgio Sorgetti The Missing EyeMartin Bogren PassengerPaolo Gasparini Field of ImagesNearest Truth Year-Long Photobook ProgramFrancesco Merlini The FloodCristóbal Hara España Color 1985-2020Mark van den Brink The Minox FilesA Short Interview with Alexis FabryLuis Baylón Madrid en plataDonavan Smallwood LanguorDinaya Waeyaert Come CloserJet Swan Material Interview Highlights. An Interview with Thomas Sauvin: On Smoker’s Ettiquette and the Right to NitrateA Short Interview with Saul Leiter (2013)A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’Francis Bacon – Photographs, Painting, Destructive Criticism and MoreJH Engstrom Talks Photography, Transformation and Love for ParisGritty 1980’s NYC and the Glorious Intuition of Richard SandlerBarbara Kruger Interview on Race, Stereotypes, Public Art and Interviews (1991)The Last Francis Bacon Interview – On Violence, Meat and Photography Popular Articles. Daido Moriyama – “Reaching Out the Senses” (2012)Walker Evans’s ‘Counter-Aesthetic’ (2003)Daisuke Yokota / Yoshi Kametani: Cascading Granular Shadow2019: A Short Guide To White People & Their Photography BooksFrank Horvat with Helmut Newton (1986)Harry Callahan Loved Eleanor, Barbara and ChicagoJim Goldberg’s ‘Raised By Wolves’ as a Non-Fictional Multi-Media NarrativeMonsanto’s Corporate Horror: An Interview with Mathieu AsselinRobert Frank Interviewed at Wellesley College (1977)Eggleston’s World (1999)An Italian Playboy and His Villa Full of Women – ‘Carlo Mollino: Polaroids’ by Damiani (2014)Flat, Dead, Boring Light – An Interview with John Myers (2015) All Interviews Gallery Features. Mike Brodie: “Tones of Dirt and Bone”Stanley Kubrick’s Photographs of 1940’s NYCGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”Vivan Maier: Chicago’s Street PhotographerSaul Leiter’s Color Street Photography – The Palette of NYCRaymond Pettibon: “I Don’t Love You Anymore” Street Photography Highlights. Ulrich Wüst Cityscapes 1979–1985Luigi Ghirri: Puglia. Tra albe e tramontiPaolo Gasparini Field of ImagesCristóbal Hara España Color 1985-2020Mark van den Brink The Minox FilesLuis Baylón Madrid en plataLee Friedlander Fundación MAPFREWouter Vanhees Hà Nội – Wednesday, 10:43 p.m.Thiago Dezan When I Hear That Trumpet SoundDaniel Stier: A Tale of One CityKeld Helmer-Petersen Photographs 1941-2013Jermaine Francis Something That Seems So Familiar Becomes Distant Essay Highlights. Andreas Gursky and ‘The Iron Cage of Boredom’Thomas Ruff: Aesthetic of the PixelNotes on Five Key Jean-Michel Basquiat WorksJean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000)The Animals and Their Keepers: Garry Winogrand and Photography After September 11thDiane Arbus MoMA Exhibition Wall Label Text (1972) Review Highlights. Yannick Cormier Dravidian CatharsisXiaopeng Yuan: The Liminality of Capitalist AnxietyWilliam Klein’s Tokyo PopWhere You Weren’t When We Were: SMILERWe Continue On Blithely With Our Own Economic Flagellation (2014)Walter Keller: Beruf: Verleger. A TributeVincent Ferrané: Iconography XXV Figures of Jeanne DamasVasantha Yogananthan’s AfterlifeUte and Werner Mahler: Kleinstadt Keep and KinUrsula Schulz-Dornburg: Yerevan 1996/1997Understanding Guido Guidi: In Veneto and LunarioUlrich Wüst Cityscapes 1979–1985
