Since 2008, an Epicenter for Art & Photography. The Dark Moods of a City: Ignacio Prudencio’s “La Calle Abierta Como Un Sueño Hacia Cualquier Azar”Nearest Truth Workshop Feature Efi HalioriGuido Guidi Cinque Viaggi 1990-1998Paul Graham Beyond CaringMichael Kerstgens 1986Max Sher PalimpsestsDaniel Stier: A Tale of One CityConfiguring the Archive: Jaime Permuth’s “The Street Becomes”Jo Ractliffe: Under a State of EmergencyMaki: (A) Japan SomewhereSébastien Cuvelier Paradise CityStephen Shore Steel TownThe Flame’s Virtues: Leslie Searles’ ¿Quién inicia este incendio?Anne Immelé Oublie OublieInterview: How To Look Natural in PhotosJenna Westra AfternoonsJardín de Mi Padre: An Interview with Luis Carlos TovarKosuke Okahara Blue Affair Interview Highlights. An Interview with Thomas Sauvin: On Smoker’s Ettiquette and the Right to NitrateA Short Interview with Saul Leiter (2013)A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’Francis Bacon – Photographs, Painting, Destructive Criticism and MoreJH Engstrom Talks Photography, Transformation and Love for ParisGritty 1980’s NYC and the Glorious Intuition of Richard SandlerBarbara Kruger Interview on Race, Stereotypes, Public Art and Interviews (1991)The Last Francis Bacon Interview – On Violence, Meat and Photography Popular Articles. A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’Small Things in Silence, Bound in Blue: Yamamoto MasaoNan Goldin on Cookie Mueller (2001)Mark Mahaney: Polar NightAntonio Xoubanova: A Cinematic History of Bee KeepingYou’ve Got to Walk That Lonesome Valley – Katy Grannan’s “The Ninety Nine and The Nine”William Eggleston, Mystagogue (1999)Geoff Dyer on Trent Parke (2008)WILLIAM EGGLESTON: “Before Color” (2010)Roger Ballen: Ballenesque InterviewMartin Kollar: The Post-Soviet Cinematic DetailDiane Arbus: “Arbus’s Box of Ten Photographs” (2003) All Interviews Gallery Features. Mike Brodie: “Tones of Dirt and Bone”Stanley Kubrick’s Photographs of 1940’s NYCGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”Vivan Maier: Chicago’s Street PhotographerSaul Leiter’s Color Street Photography – The Palette of NYCRaymond Pettibon: “I Don’t Love You Anymore” Street Photography Highlights. Daniel Stier: A Tale of One CityKeld Helmer-Petersen Photographs 1941-2013Jermaine Francis Something That Seems So Familiar Becomes DistantBas Losekoot Out of PlaceRebecca Norris Webb Night CallsRuminations on Paul Graham’s A1 The Great North RoadSergio Purtell: Love’s Labour Review by Zak DimitrovPeter Mitchell: Early Sunday Morning, Signs & ReasonsThoughts on Manuel Álvarez Bravo’s Color WorkStephen Shore: Transparencies VS. American Surfaces 2020Gordon Parks: The Atmosphere of Crime, 1957/2020MoMA Press Release: Garry Winogrand (1988) Essay Highlights. Andreas Gursky and ‘The Iron Cage of Boredom’Thomas Ruff: Aesthetic of the PixelNotes on Five Key Jean-Michel Basquiat WorksJean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000)The Animals and Their Keepers: Garry Winogrand and Photography After September 11thDiane Arbus MoMA Exhibition Wall Label Text (1972) Review Highlights. Xiaopeng Yuan: The Liminality of Capitalist AnxietyWilliam Klein’s Tokyo PopWhere You Weren’t When We Were: SMILERWe Continue On Blithely With Our Own Economic Flagellation (2014)Walter Keller: Beruf: Verleger. A TributeVincent Ferrané: Iconography XXV Figures of Jeanne DamasVasantha Yogananthan’s AfterlifeUte and Werner Mahler: Kleinstadt Keep and KinUrsula Schulz-Dornburg: Yerevan 1996/1997Understanding Guido Guidi: In Veneto and LunarioUdo Hesse: Tagesvisum Ost-BerlinTorbjørn Rødland’s Confabulations! Sweet Box Cutter Butter
