Since 2008, an Epicenter for Art & Photography. Martin Amis This LandChristopher Anderson SonGabriele Basilico non recensitiThe Cracks on the Floor: Sebastián Mejía’s “Tempo”Laurenz Berges 4100 DuisburgThe Opaqueness of Manifest Destiny: Daniel Reuter’s ProvidenciaMichael Gessner’s MasseLaura Bielau Arbeit 2016-2019Nearest Truth Workshop Feature on Patrick GarciaThiago Dezan When I Hear That Trumpet SoundMark Templeton Ocean Front PropertyThe Dark Moods of a City: Ignacio Prudencio’s “La Calle Abierta Como Un Sueño Hacia Cualquier Azar”Nearest Truth Workshop Feature Efi HalioriGuido Guidi Cinque Viaggi 1990-1998Paul Graham Beyond CaringMichael Kerstgens 1986Max Sher PalimpsestsDaniel Stier: A Tale of One City Interview Highlights. An Interview with Thomas Sauvin: On Smoker’s Ettiquette and the Right to NitrateA Short Interview with Saul Leiter (2013)A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’Francis Bacon – Photographs, Painting, Destructive Criticism and MoreJH Engstrom Talks Photography, Transformation and Love for ParisGritty 1980’s NYC and the Glorious Intuition of Richard SandlerBarbara Kruger Interview on Race, Stereotypes, Public Art and Interviews (1991)The Last Francis Bacon Interview – On Violence, Meat and Photography Popular Articles. Billy Monk – “Cape Town Nightclub” (1967-1969)Dash Snow – CollageMatthew Genitempo: The New RuralityAn Interview with Larry Clark – “Outlaw No More” (1984)Flat, Dead, Boring Light – An Interview with John Myers (2015)Henri Cartier Bresson: Decisive Photographs” (1953)The Missing Photographs: An Examination of Diane Arbus’s Images of Transvestites and Homosexuals from 1957 to 1965Martin Kollar: The Post-Soviet Cinematic DetailINTERNET GOTHIC in Doug Rickard’s ‘N.A.’Rohan Thapa: An Imagined FreedomThe (Im)possibilities to Shoot as a White Photographer on the African ContinentA Conversation Between Lewis Baltz and John Gossage (2010) All Interviews Gallery Features. Mike Brodie: “Tones of Dirt and Bone”Stanley Kubrick’s Photographs of 1940’s NYCGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”Vivan Maier: Chicago’s Street PhotographerSaul Leiter’s Color Street Photography – The Palette of NYCRaymond Pettibon: “I Don’t Love You Anymore” Street Photography Highlights. Thiago Dezan When I Hear That Trumpet SoundDaniel Stier: A Tale of One CityKeld Helmer-Petersen Photographs 1941-2013Jermaine Francis Something That Seems So Familiar Becomes DistantBas Losekoot Out of PlaceRebecca Norris Webb Night CallsRuminations on Paul Graham’s A1 The Great North RoadSergio Purtell: Love’s Labour Review by Zak DimitrovPeter Mitchell: Early Sunday Morning, Signs & ReasonsThoughts on Manuel Álvarez Bravo’s Color WorkStephen Shore: Transparencies VS. American Surfaces 2020Gordon Parks: The Atmosphere of Crime, 1957/2020 Essay Highlights. Andreas Gursky and ‘The Iron Cage of Boredom’Thomas Ruff: Aesthetic of the PixelNotes on Five Key Jean-Michel Basquiat WorksJean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000)The Animals and Their Keepers: Garry Winogrand and Photography After September 11thDiane Arbus MoMA Exhibition Wall Label Text (1972) Review Highlights. Xiaopeng Yuan: The Liminality of Capitalist AnxietyWilliam Klein’s Tokyo PopWhere You Weren’t When We Were: SMILERWe Continue On Blithely With Our Own Economic Flagellation (2014)Walter Keller: Beruf: Verleger. A TributeVincent Ferrané: Iconography XXV Figures of Jeanne DamasVasantha Yogananthan’s AfterlifeUte and Werner Mahler: Kleinstadt Keep and KinUrsula Schulz-Dornburg: Yerevan 1996/1997Understanding Guido Guidi: In Veneto and LunarioUdo Hesse: Tagesvisum Ost-BerlinTorbjørn Rødland’s Confabulations! Sweet Box Cutter Butter
