Since 2008, an Epicenter for Art & Photography. Mark Steinmetz Berlin PicturesMatt Eich’s The Seven CitiesVasantha Yogananthan’s AfterlifeAndy Sewell Interview w/ Zak Dimitrov Known and Strange Things PassIsabel Wenzel Counting Till Ten Precarious RitualsThomas Demand: House of CardLaura Rodari’s Tremulous MALìAKoji Kitagawa: Mapping the Technical in DreamsRobbie Lawrence A Voice Above the LinnMassimo Leardini’s Elv: Limbs Both Human and OtherGeir Moseid: Plucked Phantasmagoric PartyJulião Sarmento’s Café BissauSeiichi Furuya & Christine Gössler Face To FaceKatherine Longly’s Hernie & PlumePhotobooks of the Year 2020/Welcome to the CastleMårten Lange’s Ghost Witness: A Spectral and Transitional ArchitectureAndré Príncipe-Exhibition A Hard Rain Is Going To FallGerry Johansson- Ehime & Lalendorf und Klaber Interview Highlights. An Interview with Thomas Sauvin: On Smoker’s Ettiquette and the Right to NitrateA Short Interview with Saul Leiter (2013)A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’Francis Bacon – Photographs, Painting, Destructive Criticism and MoreJH Engstrom Talks Photography, Transformation and Love for ParisGritty 1980’s NYC and the Glorious Intuition of Richard SandlerBarbara Kruger Interview on Race, Stereotypes, Public Art and Interviews (1991)The Last Francis Bacon Interview – On Violence, Meat and Photography Popular Articles. Chance Encounters: Interview with Taiyo Onorato & Nico KrebsA Portrait of Takuma Nakahira (2005)A Conversation Between Lewis Baltz and John Gossage (2010)ASX.TV: Helmut Newton – “Jun Rope’ – ‘Cold Eye'” (1980)Leaving Home, Coming Home – A Portrait of Robert Frank (2005)Interview with Lewis Baltz (2009)Daisuke Yokota / Yoshi Kametani: Cascading Granular ShadowFocus on the Feminine Self and Set Aside the Suicide of Francesca WoodmanRichard Billingham: “Ray’s a Laugh”Billy Monk – “Cape Town Nightclub” (1967-1969)Richard Avedon On the Truths and the Lies of Photography (1984)Diane Arbus – Flirt, Flash & Mirror (2013) All Interviews Gallery Features. Mike Brodie: “Tones of Dirt and Bone”Stanley Kubrick’s Photographs of 1940’s NYCGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”Vivan Maier: Chicago’s Street PhotographerSaul Leiter’s Color Street Photography – The Palette of NYCRaymond Pettibon: “I Don’t Love You Anymore” Street Photography Highlights. Ruminations on Paul Graham’s A1 The Great North RoadSergio Purtell: Love’s Labour Review by Zak DimitrovPeter Mitchell: Early Sunday Morning, Signs & ReasonsThoughts on Manuel Álvarez Bravo’s Color WorkStephen Shore: Transparencies VS. American Surfaces 2020Gordon Parks: The Atmosphere of Crime, 1957/2020MoMA Press Release: Garry Winogrand (1988)KEIZO KITAJIMA: “NEW YORK”A Short Interview with Saul Leiter (2013)Mark Cohen’s ‘Grim Street’ – the Bang of the Flash and the Crop of the HeadGritty 1980’s NYC and the Glorious Intuition of Richard SandlerGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL” Essay Highlights. Andreas Gursky and ‘The Iron Cage of Boredom’Thomas Ruff: Aesthetic of the PixelNotes on Five Key Jean-Michel Basquiat WorksJean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000)The Animals and Their Keepers: Garry Winogrand and Photography After September 11thDiane Arbus MoMA Exhibition Wall Label Text (1972) Review Highlights. Xiaopeng Yuan: The Liminality of Capitalist AnxietyWilliam Klein’s Tokyo PopWhere You Weren’t When We Were: SMILERWe Continue On Blithely With Our Own Economic Flagellation (2014)Walter Keller: Beruf: Verleger. A TributeVincent Ferrané: Iconography XXV Figures of Jeanne DamasVasantha Yogananthan’s AfterlifeUte and Werner Mahler: Kleinstadt Keep and KinUrsula Schulz-Dornburg: Yerevan 1996/1997Understanding Guido Guidi: In Veneto and LunarioUdo Hesse: Tagesvisum Ost-BerlinTorbjørn Rødland’s Confabulations! Sweet Box Cutter Butter
