Since 2008, an Epicenter for Art & Photography. Erik Gustafsson This is FarewellBas Losekoot Out of PlaceJon Cazenave GalernaThe Mindfulness of Death: Deanna Dikeman’s Leaving and WavingOxiea Villamonte Next of KinAnton Roland Laub Last Christmas (of Ceaușescu)Lin Zhipeng No. 223 Grand AmourCarl Bigmore Between Two MysteriesStephan Keppel Soft Copy Hard CopyElie Monferier Sang Noirinri: Symposion About Love 1996-2000Jindřich Štreit Village People 1965-1990A Different Kind of Wonder: Thomas Locke Hobbs’ Maravilla del MundoBill Henson – Sic TransitPiotr Uklanski: Pornalikes- Doppelgängers Monozygotic Teasers and TeratologyA Conversation Between Robert Morat and Matteo Di GiovanniAndreas Gehrke’s BerlinMihai Șovăială’s Holding Pattern Interview Highlights. An Interview with Thomas Sauvin: On Smoker’s Ettiquette and the Right to NitrateA Short Interview with Saul Leiter (2013)A Conversation with Pieter Hugo – Xenophobia, Self-Censorship and the Commodity of ‘Blackness’Francis Bacon – Photographs, Painting, Destructive Criticism and MoreJH Engstrom Talks Photography, Transformation and Love for ParisGritty 1980’s NYC and the Glorious Intuition of Richard SandlerBarbara Kruger Interview on Race, Stereotypes, Public Art and Interviews (1991)The Last Francis Bacon Interview – On Violence, Meat and Photography Popular Articles. The (Im)possibilities to Shoot as a White Photographer on the African ContinentThe Missing Photographs: An Examination of Diane Arbus’s Images of Transvestites and Homosexuals from 1957 to 1965John Baldessari – “A Brief History of John Baldessari” (2012)Antonio Xoubanova: A Cinematic History of Bee KeepingLeon Levinstein – Street PhotographyTod Papageorge on Robert Adams: ‘The Missing Criticism – What We Bought’Interrogating The Notion of Documentary Truth: Stacy Kranitz – ‘As it was give(n) to me’Maja Daniels: The Elf Dalia InterviewThe Political Image as Embodiment of Cyclical FailureDavid LaChapelle – “The Americans”Transitory Ghosts and Angels in the Photography of Francesca Woodman (2007)Robert Frank: Dissecting the American Image (1986) All Interviews Gallery Features. Mike Brodie: “Tones of Dirt and Bone”Stanley Kubrick’s Photographs of 1940’s NYCGARRY WINOGRAND: “WOMEN ARE BEAUTIFUL”Vivan Maier: Chicago’s Street PhotographerSaul Leiter’s Color Street Photography – The Palette of NYCRaymond Pettibon: “I Don’t Love You Anymore” Street Photography Highlights. Bas Losekoot Out of PlaceRebecca Norris Webb Night CallsRuminations on Paul Graham’s A1 The Great North RoadSergio Purtell: Love’s Labour Review by Zak DimitrovPeter Mitchell: Early Sunday Morning, Signs & ReasonsThoughts on Manuel Álvarez Bravo’s Color WorkStephen Shore: Transparencies VS. American Surfaces 2020Gordon Parks: The Atmosphere of Crime, 1957/2020MoMA Press Release: Garry Winogrand (1988)KEIZO KITAJIMA: “NEW YORK”A Short Interview with Saul Leiter (2013)Mark Cohen’s ‘Grim Street’ – the Bang of the Flash and the Crop of the Head Essay Highlights. Andreas Gursky and ‘The Iron Cage of Boredom’Thomas Ruff: Aesthetic of the PixelNotes on Five Key Jean-Michel Basquiat WorksJean-Michel Basquiat and “The Art of (Dis)Empowerment” (2000)The Animals and Their Keepers: Garry Winogrand and Photography After September 11thDiane Arbus MoMA Exhibition Wall Label Text (1972) Review Highlights. Xiaopeng Yuan: The Liminality of Capitalist AnxietyWilliam Klein’s Tokyo PopWhere You Weren’t When We Were: SMILERWe Continue On Blithely With Our Own Economic Flagellation (2014)Walter Keller: Beruf: Verleger. A TributeVincent Ferrané: Iconography XXV Figures of Jeanne DamasVasantha Yogananthan’s AfterlifeUte and Werner Mahler: Kleinstadt Keep and KinUrsula Schulz-Dornburg: Yerevan 1996/1997Understanding Guido Guidi: In Veneto and LunarioUdo Hesse: Tagesvisum Ost-BerlinTorbjørn Rødland’s Confabulations! Sweet Box Cutter Butter
