Photobook

An Interview with John Gossage: Nothing and the Politics of Nothing (2015)

”I go to places and I have the belief that if I can photograph well, the places will educate me to things I do not know about them.”

A Conversation with Alec Soth (2015)

On ‘Gathered Leaves’ at the Media Space, Science Museum

The (Im)possibilities to Shoot as a White Photographer on the African Continent

Now, it’s hard to defend yourself if you are in possession of the ‘white privilege’, as I am…

Tiane Doan Na Champassak: Mirrors Don’t Reason

Tiane Doan Na Champassak is a machine. He works incredibly hard and is one of the busiest publishers of his work out there.

Peter Mann: A Perfumed Hand Grenade

All of the images have been collated from the Internet and are displayed spread by spread.

Henrik Malmström: Retrofitting A Hamburg Nostalgia

These are real people, with real happiness in their lives, and that makes a fool of the reader for prejudging them by their surroundings.

Maya Rochat, The Chromophagist

It is clever enough to remain completely autonomous and lacks the problematic discourse of “trying too hard”.

Michele Tagliaferri: Grass That Came From Nothing

Michelle Tagliaferri’s “Grass” is book of natural gravity and beauty. That is to put it simply.

Alexander Binder: Glass Delusion and the Prism of Photographic Mysticism

“It is thus, my most coveted photography book of the year in its qualification as unspeakable language and the glory of the potentially transcendental image.”

Philip-Lorca diCorcia on ‘A Storybook Life’: Circular Narratives, Dream States and Doing What You Like

“I was drawing upon things that I’ve learned and those are not necessarily intellectual things.” Dorian Devens and Philip-Lorca diCorcia, 2003 PLDC: I don’t consider myself to be an intellectual, you know, I think I’ve met enough intellectuals to know what a really smart person is… analytical I might be, but, you know, one […]

Axel Hoedt: Dusk is Woven to the Hide of Death

Axel Hoedt’s “Dusk” is a real enemy of the cross – a concise and metaphoric look at the subjects of the Swiss and Austrian tradition of carnival.

Martin Kippenberger: Peinlichkeit Kennt Keine Grenzen (Embarrassment Has No Limits)

History has been kind to Martin Kippenberger. Following his untimely death in 1997 at the age of 44, the art world scrambled to retrofit Kippenberger into the Postmodernist canon.