
A Conversation with Alec Soth (2015)
On ‘Gathered Leaves’ at the Media Space, Science Museum
On ‘Gathered Leaves’ at the Media Space, Science Museum
Now, it’s hard to defend yourself if you are in possession of the ‘white privilege’, as I am…
Tiane Doan Na Champassak is a machine. He works incredibly hard and is one of the busiest publishers of his work out there.
All of the images have been collated from the Internet and are displayed spread by spread.
These are real people, with real happiness in their lives, and that makes a fool of the reader for prejudging them by their surroundings.
It is clever enough to remain completely autonomous and lacks the problematic discourse of “trying too hard”.
Michelle Tagliaferri’s “Grass” is book of natural gravity and beauty. That is to put it simply.
“It is thus, my most coveted photography book of the year in its qualification as unspeakable language and the glory of the potentially transcendental image.”
“I was drawing upon things that I’ve learned and those are not necessarily intellectual things.” Dorian Devens and Philip-Lorca diCorcia, 2003 PLDC: I don’t consider myself to be an intellectual, you know, I think I’ve met enough intellectuals to know what a really smart person is… analytical I might be, but, you know, one […]
Axel Hoedt’s “Dusk” is a real enemy of the cross – a concise and metaphoric look at the subjects of the Swiss and Austrian tradition of carnival.
History has been kind to Martin Kippenberger. Following his untimely death in 1997 at the age of 44, the art world scrambled to retrofit Kippenberger into the Postmodernist canon.
Presented as a trip through Tokyo, perhaps even snapshots of one wild night out, Tokyo Blur shows the reader a clear view from a back-row seat.