Chris Killip: The Station and a Note of Gratitude

  “Killip was a human first and an observer or lucid chronicler second”   Chris Killip is known for his immeasurable and singular vision of Britain during the 70’s 80’s and 90’s. To place emphasis on his work in a genre-fied manner would belittle his and its true humanity and potential. Killip was a human […]

Alessandra Sanguinetti The Adventures of Guille & Belinda

“The project, which started when the girls were just nine years old now spans two decades and two continents”   Alessandra Sanguinetti‘s The Adventures of Guille and Belinda and The Illusion of an Everlasting Summer (MACK, 2020)is a beautifully poetic look into the lives Guille and Belinda, two of Sanguinetti’s long-term subjects and friends.   […]

Ruminations on Paul Graham’s A1 The Great North Road

  “The way in which we write history is tinged with this conundrum. It suggests blinders in the very least and in doing so, should compel an understanding of context that is piecemeal or limited”   It’s often difficult to unpack a particular body of work or historic book that has been republished without regarding […]

Martin Bladh & Karolina Urbaniak: The Torture of The 100 Pieces

  “I notice the light feathery blonde hairs covering the unnaturally ubiquitous cuttings on forearms from teenage years of the Twentieth Century the world over. It exemplifies our (b)anal tragedies”   Smoke began to fill the car.     I wish to inconsistently cccccconsider the body’s ccccccartographic potential. Not happy to ultimately see it as […]

Sergio Purtell: Love’s Labour Review by Zak Dimitrov

“One can use a camera to explore or utilise philosophy, politics, psychoanalysis and what not and this is wonderful as it broadens the scope of what is achievable with this tool. It tends to be forgotten that this is not, however, the be-all and end-all technique”   When one thinks of photographic projects, which more […]

Raymond Meeks Ciprian Honey Cathedral

“The home is an environment that triggers the senses, memories and the grand narratives that life has to offer”   How one goes about turning a house into a home varies upon experience and sentimental or emotional need. Ownership implies a difference of value. Mortgage and the implied indentured servitude between life and payoff set […]

Maude Arsenault’s Entangled

  “There are the bodies of women present pitted against gorgeously composed images of a wooded landscape or waterfall. These images, used sparingly offer an atmosphere outside of the interior views within the book, which are more plentiful”     Entangled by Maude Arsenault is a mysterious offering from the crew at Deadbeat Club. There is […]

Peter Mitchell: Early Sunday Morning, Signs & Reasons

  “I have assumed this focus on the found vernacular to be American in nature. However, the details of national ownership is missing apart from the rise of American modernism or the focus on its anti-thesis, namely quaint small town America advertising often hand painted and rough”   It is somehow impossible not to mention […]

Mayumi Hosokura’s New Skin

  “This ‘gendering’ includes everything from one’s awareness of their own individual body, to global political and social issues (the feminine pose, the masculine blue colour, the ‘masculinity’ of war)”     Mayumi Hosokura’s New Skin begins with a single quote on its inside cover. It is a quote by Donna Haraway, from her 1988 […]

Thoughts on Manuel Álvarez Bravo’s Color Work

  “Sunlight arms color photographs with daisies and when it refutes initiation, it instead lends pestilence to limbs that once lovingly embraced the nectar of its floral inhabitants”   Color is a very sensitive pursuit. It curries favor with no artist. It has an understanding about it that exceeds what appears outright as a seasonal […]

Piotr Zbierski: Echoes Shades The Ethnography of Shadows

“Are classifications necessary? What are there limits? Who can photograph who and what? “   I am always curious by what we consider the exotic in photographs. I often find myself thinking of the vestigial media forms of the past- all the inconsistencies, problematic discourses, and general selling of anything “other” in photographs, magazines and […]

Gerry Johansson’s Meloni Meloni

“Where is “the thing I am not seeing”?”   We’ve become quite accustomed to understanding the importance of photographs based on the frenetic pace that they occupy. Our eyes are expectant. They hover over an image looking at the embedded chaos of news images, photographs of cities, etc. and when they are challenged with a […]