These event headlines are embedded in this single image, now symbolic of defiance against the brute force of state power. It is both the beginning and the end – the beginning the event evokes and an end that stops at the image and caption. The news image of global importance is the both the beginning […]
Estelle Hanania is what I would consider a sort of phenomenological anthropological photographer. When I say this, I mean to consider her an anthropologist with a camera interested in regarding a marginal culture shifts rather than a quotidian and beleaguered photographer attempting to secure an interesting topic. Do we always disappear? Does custom evade […]
“These dreams were a product of the IV missing the vein repeatedly and causing a beautiful shade of crimson, blues, fading to yellow just under the parchment-like encasement”. There would always be consequences to these observations. The longer days when their skin dried out and flaked off to the pavement before being carried away by […]
I can imagine what it is to wake up in a city like Dresden the morning after being carpet bombed by Allied forces in 1945…
Thatcher was out, the false promises of Blair’s lying and callous maw was in. The 80’s and 90’s were different.
“You have to be prepared to look in the ‘low’ places in our visual culture as well as the ‘high’. You have to be a rag picker as much as a connoisseur”.
“The House Project” by Roger Ballen and Didi Bozzini with Oodee publisher is by far the best Roger Ballen Book I have seen.
“This work is about something else, something more abstract. The function of the desert and Salton Sea in Lago is more psychological than political. ” – Ron Jude
from Go-Sees @ Juergen Teller “For me I realised, in a way, within that period, ninety-eight/ninety-nine, kind of stepping back from fashion, realised what kind of a sense of power you have as a man, and what sense of power you have as a photographer.” – Juergen Teller Excerpt from an interview with the Tate, […]
“To not understand time or the chrono-contextualization of an image is to discover that our potential theories of pre-existing semiotic signifiers may be out of order”. By Brad Feuerhelm, ASX, November 2015 The theory of the subject in semiotic terms, concerns itself with the concept of personal perspective in the sense that the arguments […]
What once was is now that of accouterments of a lifetime wasted in the stable of senseless mediocrity. I type trying bitterly (perhaps) to formulate the playful hypocrisies of a commanding youthful idiocy into a bittersweet doctrine of sustainable return for the elderly elite deprived of the inconsistent economy of childhoods that have been forgotten. […]
”I go to places and I have the belief that if I can photograph well, the places will educate me to things I do not know about them.”