“I come in a bit closer. So it’s not a play; it’s a macro-play that I’m dealing with. It’s a macro-play that I create with my own intrusion into the scene…” “Grim Street” is a selection and book of photographs by street photographer Mark […]
It could be said that Robert Rauschenberg and Andy Warhol have created a bastard child where trash and glitter are king of the streets, but have moved into the studio for the purposes of re-creating consumer waste in artistic practice. By Brad Feuerhelm, ASX, June 2015 Beni Bischof’s a product of his generation. His […]
William Klein was invited to Tokyo in 1961, where he shot for three months and made more than 1,000 pictures.
Theirs will be a genetic lineage where Eden’s vast land has been bulldozed over for that of another Wal-Mart parking lot where their future generations will congregate to buy house paint while sipping numbness-inducing frozen latte’s from the Starbucks within. By Brad Feuerhelm, ASX, June 2015 It, to him, presents a stranglehold […]
For the authors Feuerhelm and Salu, theirs’ is an act of frustration at our willingness to sit back and be spoon-fed bullshit while behind us a cartoon mouse holds a gun to our head. By Poppy Coles, June 2015 This book reads as an unrelenting portrait of “the enemy” today. Using the historic […]
Yamamoto Masao had not only treated these prints with a range of teas, and chemicals—this I already knew—but also with tears from his own eyes.
The duo had created the membrane of their meeting based on the physicality of the auto and their drive to intertwine their bodies through their primary, yet graceless couplings via a chance meeting in an etherized world of electronic falsettos and cum-soaked chat rooms. By Brad Feuerhelm, ASX, May 2015 The sun stretched […]
It suggests that the first “thing” or structure to deploy God’s image as creator is that of an “unknowing”, a design for which, he had to create its anti-thesis. By Brad Feuerhelm, ASX, May 2015 Sterne is something of a conjecture in the cartography of the heavens. It is perhaps an anti-empirical look into […]
“Todd Hido’s large color photographs of suburbia are lonely, forlorn, mysterious… and strangely comforting. Hido photographs the interior rooms of repossessed tract homes, and the outsides of similar houses at night whose habitation is suggested by the glow of a television set or unseen overhead bulb. Seldom does the similar evoke such melancholy. Yet rather […]
The images in Tones of Dirt and Bone were made between 2004 and 2006, with a Polaroid camera and Time Zero film. Brodie used the characteristics and limitations inherent to this type of camera and film to his advantage. The portraits he made are further enhanced by the peculiar color palette of the film. Due […]
Near Kaaterskill Falls, 2012 @ Alec Soth , courtesy Fraenkel Gallery and Sean Kelly Gallery “If today I look back on this morning, then I get an image of what I saw this morning. But if tonight, I’m thinking back on this morning, then what I’m really recalling is not the first image, but the […]
“So in a sense they (books) had no–there was no school of thought, and I felt at that time that it was unexplored. That’s one reason it attracted me.” MR. KARLSTROM: What about your books? This is a last thing that I’d like to at least get started on. You have created I don’t know […]