Horror Punk, American Gothic, and Danzig’s Nutsack: An Interview with Eerie Von
“We never cared about what other people thought. I still don’t. “
“We never cared about what other people thought. I still don’t. “
There is a hint at the connectedness of a global community seething through super-highways of wiring, air travel, and satellite reception.
Tiane Doan Na Champassak is a machine. He works incredibly hard and is one of the busiest publishers of his work out there.
All of the images have been collated from the Internet and are displayed spread by spread.
“Briney Breezes” is a distinct and somehow discomfiting collection of images between Charles Johnstone and the tireless Aaron McElroy.
“I consider the photograph as an imprint, remnant, of an activity. The fact that the photograph exists implies a viewer located it at a specific place and time”. Brad Feuerhelm in Conversation with John Divola, October 2015 BF: I’ve been reading some of your interviews from the 80’s to present. What strikes me is the consistency […]
“There is a relevant question: can I learn anything from a dead body, from a corpse without a name and history? It is only a dead piece of meat that has a certain shape but it has no story. So I document dead piece of meat, indeed”. An Interview with Goran Bertok, by Brad Feuerhelm […]
At its base, ‘Un Universe Pequeno’ seeks to convey, in visual terms, that of a similarity to speech. This is where the base of communication meets that of the expression of the visual.
”Thomas sent across a very polite email, stating, ‘I am mostly interested in the surprising way you could digest such a body of material. I contacted you because I think your collages are truly spellbinding…’” By Brad Feuerhelm, ASX, September 2015 Melinda Gibson has flown to China to collaborate with Beijing Silvermine mastermind Thomas Sauvin […]
”A book and a space are two different media, or in other words: display cases. Thinking about the gallery program for us means thinking about showing substantial art in a space in order to meet the constant challenge of making good exhibitions”. An Interview with Kehrer Gallery @ Unseen By Brad Feuerhelm BF: Kehrer Gallery […]
“Every media has its own effect and fascination” Beni Bischof’s a product of his generation. His artistic output seems to make peace with being raised in the 70s and 80s. There is a consumptive pattern of material use. Absurd images of advertising enabled by an errant hot dog here and there and the drip of […]
The vast majority of this material exists in a format without physicality. These ‘documents’ that the artist collects are in effect, de-materialised. They exist in a capacity of their non-physicality. It is an archival practice of collecting where the previous mode of acquisition is lost for that of an imagined meta-collection – a collection that, […]