Brad Feuerhelm

Michele Tagliaferri: Grass That Came From Nothing

Michelle Tagliaferri’s “Grass” is book of natural gravity and beauty. That is to put it simply.

Alexander Binder: Glass Delusion and the Prism of Photographic Mysticism

“It is thus, my most coveted photography book of the year in its qualification as unspeakable language and the glory of the potentially transcendental image.”

Leco Jucah: Glacial Simulacra

Blown apart by flash and that of night’s embittered black veil, the work makes for uncomfortable viewing and the best part about it, is that it purports to do none of this, but to simply be nocturnal. A slow and grinding glacial push can be heard from the edges of the city-state. People are […]

An Interview with Thomas Sauvin: On Smoker’s Ettiquette and the Right to Nitrate

With Silvermine, is your determination to collect this material purely driven by geography? Or do you have a China fetish? Thomas Sauvin occupies a strange place in photography. His output is sincere, his knowledge of classic hiphop is un-fuckwittable, and his publications are highly coveted gems in the photographic book fetish world. That, […]

Axel Hoedt: Dusk is Woven to the Hide of Death

Axel Hoedt’s “Dusk” is a real enemy of the cross – a concise and metaphoric look at the subjects of the Swiss and Austrian tradition of carnival.

Henrik Malmström: The Eye Consumes the Body’s Economy

The book by Kominek is nocturnal in every way. Black pages, black endpapers, black outlook, black object, black vision.

Dry Bodies, Bad Dreams, Haifa Street. Found Images from the Iraq War.

“Every dried out mummy-corpse, every dead child, every snarl of these fucking dogs – it’s like they invade my dreams- I can’t get relief either awake or asleep.”

ASX.TV: A Conversation with Simon Baker – On Conflict, Time, and Photography (Pt. 5)

Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 5 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]

A Conversation with Simon Baker – On Conflict, Time, and Photography (Pt. 4)

Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 4 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]

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