A Conversation with Ron Jude: The Staccato Memory
“This work is about something else, something more abstract. The function of the desert and Salton Sea in Lago is more psychological than political. ” – Ron Jude
Tag Archives: Brad Feuerhelm
Shilo Group’s: From the Fog of the Barricades
‘Chronicle’ by the Shilo Group (Sergiy Lebedynskyy and Vladyslav Krasnoshchok) is a field guide study in monochrome of various fires lit to burn various bridges across the Ukraine.
Christian Patterson “Bottom of the Lake”: Possibilities of the Subject “I”
“To not understand time or the chrono-contextualization of an image is to discover that our potential theories of pre-existing semiotic signifiers may be out of order”. By Brad Feuerhelm, ASX, November 2015 The theory of the subject in semiotic terms, concerns itself with the concept of personal perspective in the sense that the arguments […]
Meryl Meisler : The World That Summer
@ Meryl Meisler “The change we monitored came to us through the shifting tides of our visual culture and the places that would slowly evaporate under the “future”. Disco Clubs, roller-skating rinks, the ma & pa stores, these places are where change happens”. Everything had changed quite dramatically in the neighborhood. The sounds of children […]
A Conversation with Alec Soth (2015)
On ‘Gathered Leaves’ at the Media Space, Science Museum
Horror Punk, American Gothic, and Danzig’s Nutsack: An Interview with Eerie Von
“We never cared about what other people thought. I still don’t. “
Arnau Blanch: The Origin of Dead Space
There is a hint at the connectedness of a global community seething through super-highways of wiring, air travel, and satellite reception.
Tiane Doan Na Champassak: Mirrors Don’t Reason
Tiane Doan Na Champassak is a machine. He works incredibly hard and is one of the busiest publishers of his work out there.
Peter Mann: A Perfumed Hand Grenade
All of the images have been collated from the Internet and are displayed spread by spread.
Briney Breezes: The Sun-Baked Bruise
“Briney Breezes” is a distinct and somehow discomfiting collection of images between Charles Johnstone and the tireless Aaron McElroy.
Despite My Intention: An Interview with John Divola
“I consider the photograph as an imprint, remnant, of an activity. The fact that the photograph exists implies a viewer located it at a specific place and time”. Brad Feuerhelm in Conversation with John Divola, October 2015 BF: I’ve been reading some of your interviews from the 80’s to present. What strikes me is the consistency […]
An Interview with Goran Bertok: Dead Meat, Bright Lights
“There is a relevant question: can I learn anything from a dead body, from a corpse without a name and history? It is only a dead piece of meat that has a certain shape but it has no story. So I document dead piece of meat, indeed”. An Interview with Goran Bertok, by Brad Feuerhelm […]