Dennis Cooper on Art, Serial Killers, Social Media and His Book GONE

Brad Feuerhelm talks to the controversial author about art, serial killers, social media and the book GONE published by Infinity Land Press. Dennis Cooper is an American writer, artist, and critic living in Paris. His writing often features dark sexual imagery and critical prose investigations on the topics of murder, death, and the inadequacy of […]

Narcissus’ Folly of Youthful Naivete in the Work of Coco Young

@ Coco Young There are references abound… a lineage… Corinne day, Nan Goldin, a bit of Larry lark and I’d like to think a bit of Mark Morrisroe (somehow, I think this is very wishful).   By Brad Feuerhelm, ASX, March 2015 Coco Young’s “Vanity” on Bemojake books is an affirmation of what it is […]

A Near Miss with Zombie Formalism in the Work of Hannah Whitaker

@ Hannah Whitaker, courtesy of Morel Books Hannah Whitaker’s “Peer to Peer” with Morel books could easily be subsumed into the category of “zombie formalism” with its easy abstraction and playful dialogue of purist abstraction and aesthetic formal nuances.   By Brad Feuerhelm, ASX, March 2015 Hannah Whitaker’s “Peer to Peer” with Morel books could […]

An Elegiac Response to the Ghost of Surrealist Decadence in the Work of Paul Kooiker

@ Paul Kooiker This is where our shared habits meet concrete. All the possessions accumulated, obsessions sought and tendered in the infernal light of my psychic affairs have led me into the unforeseen garden of these earthly delights.   By Brad Feuerhelm, ASX, February 2015 August, 1935 This is where our shared habits meet concrete. […]

Slicing, Splicing and Dicing in ‘The Bungalow’

a view from The Bungalow @ Anouk Kruithof I could lament on a narrative that these images might convey – a sort of comment on the very conception of human life, of birth and rebirth and memory and the way each of us will find a different meaning for these images – but that would, I […]

Tony Oursler’s ‘template/variant/friend/stranger’ at Lisson Gallery

VIE, 2014 Wood, mounted photo print, monitors and media player 262 x 192 x 58 cm   The pantomime of big brother and the historical imperative to map individuality of the face for data usage comes at a time when our rights towards privacy and state sponsored collecting of data become a Orwellian theatre of […]