Henrik Malmström: The Eye Consumes the Body’s Economy
The book by Kominek is nocturnal in every way. Black pages, black endpapers, black outlook, black object, black vision.
Tag Archives: Brad Feuerhelm
Dry Bodies, Bad Dreams, Haifa Street. Found Images from the Iraq War.
“Every dried out mummy-corpse, every dead child, every snarl of these fucking dogs – it’s like they invade my dreams- I can’t get relief either awake or asleep.”
ASX.TV: A Conversation with Simon Baker – On Conflict, Time, and Photography (Pt. 5)
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 5 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]
A Conversation with Simon Baker – On Conflict, Time, and Photography (Pt. 4)
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 4 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]
Richard Ramirez: “Night Stalking the Iconoclastic”
Satanic Panic Part II
ASX.TV: A Conversation with Simon Baker – On Conflict, Time, and Photography (Pt. 3)
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 3
ASX.TV: A Conversation with Simon Baker – On Conflict, Time, and Photography (Pt. 2)
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 2
ASX.TV: A Conversation with Simon Baker – On Conflict, Time, and Photography (Pt. 1)
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography.
Aaron Krach’s Suicidal Literature: The Sun Also Sets
Aaron Krach’s book, ‘The Author of This Book Committed Suicide’, is something of a meditation on the matter of suicide.
Massimiliano Rezza’s ‘ATEM’: The Art of Images Without Meaning
‘ATEM’ is to use photographs for what they really are, non-representational epitaphs of moments rendered in silver with little meaning.
Torbjørn Rødland: ‘Sasquatch Century’ – Pathology of a Sacred Striptease
Theirs will be a genetic lineage where Eden’s vast land has been bulldozed over for that of another Wal-Mart parking lot where their future generations will congregate to buy house paint while sipping numbness-inducing frozen latte’s from the Starbucks within. By Brad Feuerhelm, ASX, June 2015 It, to him, presents a stranglehold […]
The Enemy Today: ‘Let Us Now Praise Infamous Men’
For the authors Feuerhelm and Salu, theirs’ is an act of frustration at our willingness to sit back and be spoon-fed bullshit while behind us a cartoon mouse holds a gun to our head. By Poppy Coles, June 2015 This book reads as an unrelenting portrait of “the enemy” today. Using the historic […]