Darren Harvey-Regan’s Chalk Muse: Reflections on Time in The Erratics

“The plinth and the chalk are symbiotic vehicles for vision. One bleeds into the other with precision, which given the cleanliness of the image is something to consider-to strip away millions of years of aggregate bio-mass and reduce it and time to the constraints of light and human hand presents a challenge to the eye”

Real Nazis: Trauma is the Trigger, but When?

“It is also to remind people that the condition of “evil” or trauma exists only in the post-event and that we do not recognize, as Arendt mentions, the force of its implication while it is being formulated”

Geraldo de Barros: What Remains is a Gift

“It is not as a blackout from his own memory but to revitalise the missing parts, to allow himself and the viewer to fall into the image, to find oneself in that space.”

Thomas Albdorf: The Uncanny Valley of Yosemite

“Everything is unknown, sifted through bit by byte and re-assembled for the purpose of defining the in insalubrious possibility of chance and enforced meaning- Nothing exists, Everything exists if harvested and re-distributed credibly and with rugged vigor”

Mimi Mollica Interview: Sicily’s Seamless Elasticity

“Religions in general, are indeed a great example how power is (ab)used over people for the elite to keep the desired order on society. It’s not a case that Mafia has a strong association with religious narratives and its very ritual of association includes religious references throughout”

Yokota/Takizawa/Kametani: 100 Bilder/100 Seizures

“The impure spectacle of such visions are entitled to the epileptic alone though the corroboration of these events can be described by other seizure subscribers partially as “primordial” for lack of cohesive unanimous declaration”

Leif Sandberg: Encouraging Entropy

“Upon opening the package a feather and an anvil fell onto my groin. I have carried them since like a pebble in my shoe that I refuse to set aside or extract”