Billie: Before Our Limbs Soften

“On a functional level, and trying to remove myself from the subjects involved, what “Billie” does besides pull on your emotions is to punish photography in a small way…”

Bp Laval: Take the world in a love embrace!

“Laval creates a disturbing emotional wilderness, drawing us as viewers into his bush of ghosts with a sense that anything could happen—a couple doing it in the road, a threesome engaged on a mystic highway, a goddess as figurehead on the vehicle in the car chase. Voyeuristic, atavistic, altruistic”.

Gordon Parks: Collected Works of an Alien Afloat In Genius

  Gordon Parks was first described to me as a renaissance man for his enduring and unfailing talent behind a lens. I think in those terms adding to this moniker Renaissance Alien would not be incorrect.   There are certain people in this world in which there is no other possible recourse but to name […]

Alessandro Calabrese: A Failed Entertainment

“That is to speculate that the authorship of the single complete image may well have been limited to the artist, but its circumferential acclimatization in book form have enabled a second tier retro-authorship of said generated images. They become meta-appropriations in a sense.”

Margot Wallard’s Natten: The Phoenix Condition

“The phoenix condition is a dilemma that is induced by trauma. The person operating under its influence must find absolute zero in order to rebuild and rejuvenate oneself against the grain that death provides”

Peter Piller: Unheimlich As Above…

“A good number of the images allegedly had annotations written on the images such as “not interested in pictures”, “Deceased”, and “Looks better from the ground” written on them”

Trophy Camera: A New Fear of Organizing Principals

“The AI eventually begins making decisions based on the data analyzed and begins to wade through the torrent of images available in its repository selecting successful images for a hierarchy or production and re-distribution of usefulness within the sets of codes previously implied”

NASTYNASTY: Propositions for THE E-Shovel

“However, by creating an anxiety or a image that begs questions, becomes surreal, or forces the brain and eyes to move around the juxtapositions, the successful adware companies of the future, in determining semi-obtuse economic visual puzzles will be successful. It is as if Edward Bernays has been reincarnated in a land of advertising and marketing opposites and is again reigning SUPREME”

Darren Harvey-Regan’s Chalk Muse: Reflections on Time in The Erratics

“The plinth and the chalk are symbiotic vehicles for vision. One bleeds into the other with precision, which given the cleanliness of the image is something to consider-to strip away millions of years of aggregate bio-mass and reduce it and time to the constraints of light and human hand presents a challenge to the eye”