A multiplicity of femininities in flux in Schorr’s 8 WOMEN By Charlie Tatum, ASX First things first: Collier Schorr’s 8 Women is strikingly beautiful. It’s comprised of thirty-two luscious, yet minimally styled, fashion shots of models, artists, and Schorr’s friends, culled from the past twenty years of her career. Many were snapped at hired shoots, […]
@ Penelope Umbrico We continue on blithely with our own economic flagellation. By Michael Salu, ASX, December 2014 Earlier this year during a trip to Moscow, I neglected to switch off the data roaming on my smartphone. As you might expect, wandering environs beyond the remit of our communication overlords, I ran up […]
@ Óscar Monzón Pierced privacies served up hot and cold in KARMA. By Owen Campbell, ASX, December 2014 Óscar Monzón’s Karma is a book of shining surfaces on glossy paper, of sharp colors and high saturation but cold affect. As a document, Karma confounds interpretation by absence of context. There is almost no language to the […]
@ The Archive of Modern Conflict Magnesium Whispers Shouted at Sentinel Skies. By Brad Feurhelm, ASX, December 2014 Having been familiar with Thomas Mailaender’s books and output for the past six or so years since “Handicraft”, I am frankly astounded at the exceptionally refined quality of this latest offering from his collaboration with The Archive […]
By Ellen Wallenstein, review of Land Line for ASX, April 2014 Land Line by Michael Schmelling is the photographer’s third volume published by J&L Books. Jason Fulford, the principal of J&L, is a quirky, brilliant man. His choice of artists, books and publications is very particular and peculiar. In his own and others’ work, […]
One is grateful for The Pond because we are in trouble, and because irony which focuses on the ugliness of man-made juxtapositions does not at this point, by itself, help. By Robert Adams, excerpt from Creative Camera: 30 Years of Writing (Manchester University Press, 2000) Irony, defined as unrecognized incongruity, take many forms as […]
Carla & Zizou, Brasserie Graff, 1963 Many of his photographs were taken in Paris, and anticipate the work of more contemporary photographers like Nan Goldin in that they are documents from Strömholm’s eclectic and vigorous life. By Paul Loomis, ASX, January 2013 This volume compiles photographs from several extremely hard to find books […]
If you are the type of person that wants to look quickly for connections or a parallel in style or “feel”, Winogrand is right there, ready to be compared to, the weight of the photographs not at all far apart. By Paul Loomis, January, 2013 This “America” that we know in our gut […]
These are people who have arrived with ambitions, but are hampered by political conflict, by language, by finances and by time and distance; as well as alienated as a result of their efforts. By Paul Loomis, September, 2012 J Carrier’s new book Elementary Calculus is a collection of 74 luminous photographs shot in Tel […]
By Paul Loomis, for ASX, August 2012 The photographs in “Photo Express: Tokyo” (Steidl, 2012) were taken in Tokyo within a single year by Keizo Kitajima, and looking at them is like leafing through his intricate memories. They are complex and celebratory, hopeless and certain and full of people with signatures of fate on […]
By Johan Croneman I catch myself leaning into Martina Hoogland Ivanow’s pictures. True, my eyesight isn’t good, but that’s not the reason. I press my ear to them because I expect to hear something. It’s been a long time I saw images that were so quiet. They’re so completely embedded. If they were to speak, you’d […]
For Avedon’s program is supraindividual. He wants to portray the whole American West as a blighted culture that spews out casualties by the bucket: misfits, drifters, degenerates, crackups, and prisoners-entrapped, either literally or by debasing work. Richard Avedon’s “In the American West” By Max Kozloff “Sometimes I think all my pictures are just pictures of […]