Sunless is Tiane Doan Na Champassak’s most elevated work yet. The publication itself is beautifully printed and plays with chromophilic metaphor of color in the red, white, and blue of the artist’s French half-nationality.
William Klein was invited to Tokyo in 1961, where he shot for three months and made more than 1,000 pictures.
Theirs will be a genetic lineage where Eden’s vast land has been bulldozed over for that of another Wal-Mart parking lot where their future generations will congregate to buy house paint while sipping numbness-inducing frozen latte’s from the Starbucks within. By Brad Feuerhelm, ASX, June 2015 It, to him, presents a stranglehold […]
My eye continues to vector the punctuating structures here from where I have flown so close to the pattern of Icarus that I’m just waiting for my wings to melt. By Brad Feuerhelm, ASX, May 2015 My eye slips from its socket and shakes loose from its lodging in my skull. I grasp at […]
The duo had created the membrane of their meeting based on the physicality of the auto and their drive to intertwine their bodies through their primary, yet graceless couplings via a chance meeting in an etherized world of electronic falsettos and cum-soaked chat rooms. By Brad Feuerhelm, ASX, May 2015 The sun stretched […]
Goin’ Grout Drinkin There was that pulsing light, the screams, the horns, the fighting words, and the women yelling for their dead and soon to be bloated children littering the streets. By Brad Feuerhelm, ASX, May 2015 A slow pulse throbs between my temples. I stumble forward, the light in my eyes is blinding. […]
Within the event of this testimonial, we have supervised a position of conducting, in negative harmonics, a passage between the afterworld of death and our ability to master control over its parts by maintaining formal contact with the sub-committee of horror. Candy apples and razor blades Little dead are soon in graves I remember […]
It suggests that the first “thing” or structure to deploy God’s image as creator is that of an “unknowing”, a design for which, he had to create its anti-thesis. By Brad Feuerhelm, ASX, May 2015 Sterne is something of a conjecture in the cartography of the heavens. It is perhaps an anti-empirical look into […]
“Perrottet was an obsessive recorder of the physical possibilities of the human body, from its most subtle gestures to its most grotesque exertions”. By Eugenie Shinkle, ASX, May 2015 When dancer Suzanne Perrottet died in 1983, she left behind an extensive archive. Amongst the notes, letters, documents, and photographs were a number of banana […]
A short history of the selfie would trace the transformation from tawdriness for all to kitsch, for some. By Owen Campbell, ASX, May 2015 Dis, #artselfie, is a fun book that only half-bears the scrutiny it invites. The premise, that the collection of selfies taken in art spaces points toward a new method of […]
XZc7w, 2011 @ Doug Rickard Horrorcore, a sort of contemporary American gothic, with all the inherent inversion of values. INTERNET GOTHIC and Transcendentalism in the Age of Mechanical Reproduction By Owen Campbell, ASX, January 2015 In the preface of National Anthem Doug Rickard quotes Walt Whitman; in the coda he quotes Woodie Guthrie. […]
Small, metaphoric and coincidental sculptures that have been kicked aside and swept back into a mass of entangled matter. By Brad Feuerhelm, ASX, January 2015 It is virtually impossible to begin a review of Klaus Pichler’s latest opus “Dust” for Anzenberger Editions without mentioning “Dust Breeding”(1920), Man Ray’s microcosmic masterwork photograph of Marcel Duchamp’s […]