“The suburbs don’t change at the same pace of cities. Some of the places I visited twenty years ago will look the same way today. I’m not interested in crowds, so it’s more conducive to my working habits to be in the suburbs.” Vladimir Gintoff interviews Koji Onaka for ASX. May 2013, at […]
By Gloria Leonard, originally published in High Society, October 1980 In an exclusive interview with Paula Klaw, Gloria uncovers the fascinating birth of commercial bondage photography in the U.S. The surprising private life of Betty Page, the all-time favorite bondage model, is revealed as well as the story of the government’s relentless efforts to stamp […]
Jean-Micheal Basquiat This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As a portraitist, what do you feel is most important to express? Andy Warhol: I always try to make the person look good. It’s easier if you […]
“To make ‘documentary’ work (or to work in that genre at all) often stems from the desire (although it may not be fully conscious) to present a specific vision of the world as objective fact.” ASX asks artists a single question, Cameron Van Loos begins with Gregory Halpern, April 2013 Cameron Van Loos: […]
“If you read the Bible you see very quickly that God reveals himself, or at least his most prominent mode of address is through catastrophe, through violence.” Brad Feuerhelm interviews Broomberg & Chanarin for ASX, April 2013 Brad Feuerhelm: I wanted to start off with a question about the forthcoming book project with Mack. […]
“My work is more based on sequencing than in experiencing the aesthetics of the images so the book seems to be my perfect solution, plus, it is and object and the possibility of translating a concept or idea into something you can touch, smell, tear apart or archive makes it really interesting and complete.” Brad […]
Eminent Domain No. 3, 2006 Raphael Shammaa interviewed Emma Wilcox for ASX on April 15, 2013. The transcript is as follows. Raphael Shammaa: So I found that story fascinating about you getting an anonymous phone call about your building coming down where the gallery is and I was wondering, did you ever find out who […]
Chechnya, November, 1995 @ Stanley Greene “We have reached the point where we want to satisfy the bloodlust of the public to the point that we no longer have respect for them. That’s where we’re at.” Stanley Greene At Visa pour l ‘Image,2006. Interwieved by Laetitia Martinez , recorded by Cedric Batifoulier, transcripted by […]
“I was aware I was taking art. That’s the conceit of young people. I knew that what I am doing is not only unique, but that someday I’m going to unpack that and shock people with it.” Fred Herzog In His Own Words, from interviews with John Mackie of the Vancouver Sun in June, […]
“Gee, I don’t know. I just work all the time. There are so many different styles, you know, different ways of people painting and categories and… there’s so much, so much variety. I don’t know if I have influence on it or not.” By Claire Demers, originally published in Christopher Street, September 1977 Claire […]
Landscape #3 (Doheny Drive), 1996, from Landscapes The Drive to Describe: An Interview with Catherine Opie Originally published in Art Journal, Summer, 2001 by Maura Reilly Catherine Opie is a social documentary photographer of international renown whose primary artistic concerns are community and identity- gender, sexual, or otherwise. She rose to prominence in the early […]
Turkish woman, with her son, learning of the death of her husband killed by Greek militia, Gaziveren, Cyprus, 1964 “Peace is more elusive. It’s invisible and abstract as you said. As for war, it is in your face. You cannot see a dead person and walk around it as if it were not there. It’s there. […]