Negro bus-boy dishwashers, Investment Pharmacy, Washington, July, 1941 Interview with Jack and Irene Delano Conducted by Richard K. Doud in Rio Piedras, Puerto Rico, June 12, 1965. RICHARD DOUD: If you don’t mind, I think I’ll ask you about your background, what you were doing leading up to your association with the Farm Security Administration, and […]
“Basically, I mean, ah—well, let’s say that for me anyway when a photograph is interesting, it’s interesting because of the kind of photographic problem it states—which has to do with the . . . contest between content and form.” Originally Published in Image Magazine by George Eastman House – Vol. 15, No. 2, […]
“For me, content cannot be separated from form. By form, I mean a rigorous geometrical organization of interplay of surfaces, lines and values.” Interview with Henri Cartier-Bresson – Famous Photographers Tell How (1958) HCB: To me, photography is a simultaneous recognition in a fraction of a second of a significance of an event as […]
“I’m not aware of rules. I’m sure they’re there, based on virtue of sensibility. I think sensibility imposes an organizing principle, a structure for how you work, but I don’t think I carry with me a set of…I guess rules is a pretty strict way of looking at it.” By Ben Sloat, 2008 Larry […]
Amarillo, Texas, August, 1973 “I think it was simply the time was right for color photography. It was about the same time that William Eggleston, Luigi Ghirri, and Joel Meyerowitz began to use color.” The Apparent Is the Bridge to the Real By Rong Jiang, ICP, New York, June 4, 2007 RJ: You said […]
The cover photograph of Larry Clark’s book ‘Teenage Lust’ is a gorgeously lit rectangle of boy/girl flesh on the seat of a car, her hand around his penis, his hand at her crotch, their tongues touching. By Ellen Wallenstein, Spot Magazine, Fall 1985 The cover photograph of Larry Clark’s book Teenage Lust is […]
An Exclusive Interview with Robert Frank, Robert Frank’s Studio, New York, July 22, 2007
“America was supposed to be a country of big buildings, of ever-growing construction of roads, and stuff. And it is; and it is. But in addition to that, there is another America that has all of these things left behind.” Conversation with Ilan Stavans and Camilo Jose Vergara STAVANS: Camillo Jose Vergara, you are a […]
“For me, everything is sacred, whether I’m photographing a human being or a statue or the good earth. It’s sacred, I absorb it. I want to absorb it.” Interview with Bruce Davidson, The Kojo Nnamdi Show (WAMU/Chicago), November, 2006 Q: You’re on the streets of Chicago, wandering into Pentecostal churches, how did that initial […]
“I remember thinking that it’s important to put cars in photographs because they are like time seeds. And I learned this from looking at Evans.” By Noah Sheldon and Roger White Noah Sheldon: I heard a lecture once where you said that when you teach, you try to think about how you felt when […]
“I think that most people feel, or felt at that time, that it was a man’s field and that a man would just automatically do a better job and be better equipped to do it.” By Richard Doud, Oral history interview with Marion Post Wolcott, January 18, 1965 RICHARD DOUD: This is an interview […]
Dru Donovan in conversation with J.W. Fisher about Lifting Water. New York 2011 J.W. Fisher: I probably should begin by stating that I feel very fortunate to have seen Lifting Water through it’s various stages from concept, to image-making, to editing, and final sequence. Would you mind talking about the cultivation of ideas for the […]