“Every media has its own effect and fascination” Beni Bischof’s a product of his generation. His artistic output seems to make peace with being raised in the 70s and 80s. There is a consumptive pattern of material use. Absurd images of advertising enabled by an errant hot dog here and there and the drip of […]
”Over the years we have seen an amazing interest in this work and we have had a great response towards our courses and the subject of collecting photography. This, including the fact that we didn’t really see any comparable initiatives, was one of the main factors that lead to the foundation of Unseen”. Brad Feuerhelm […]
Philip-Lorca diCorcia on ‘A Storybook Life’: Circular Narratives, Dream States and Doing What You Like
“I was drawing upon things that I’ve learned and those are not necessarily intellectual things.” Dorian Devens and Philip-Lorca diCorcia, 2003 PLDC: I don’t consider myself to be an intellectual, you know, I think I’ve met enough intellectuals to know what a really smart person is… analytical I might be, but, you know, one […]
Engström looks backwards but forwards too. Tout va bien – Everything is all right.
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 4 See the entire conversation: HERE From the seconds after a bomb is detonated to a former scene of battle years after a war has ended, this moving Tate Modern exhibition focused on the passing of time, tracing a diverse and […]
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 3
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography. Pt. 2
Brad Feuerhelm of ASX interviews Simon Baker – On Conflict, Time, and Photography.
“I don’t apply labels to my photographs. I’d much rather have Max Kozloff do that. He’s much better at understanding and describing what I do.”
Cummins Prison, 1975 “Always when I went to prisons before they would say, ‘Do you want to see death row? Do you want to see the electric chair?’ I always said no. I didn’t want to see the electric chair because I figured it was just a voyeuristic trip.” By Geoff Kelly Bruce Jackson […]
“It was the dreamscape of the suburbs that interested me.” An Interview with Bill Henson by Sabine Mirlesse Sabine Mirlesse: 1985 is work you shot thirty years ago – what were you doing in Egypt? Bill Henson: As a boy I was obsessed with Egypt and Egyptology. I’m convinced it’s not that uncommon. A […]
“I never had any profound loyalty to the idea of photography as a medium but simply as the most efficient way of making or recording an image.”