Daphne Kotsiani These Earthly Shores

There is a penchant, over the past ten to fifteen years or so, for photographic image-making to re-examine landscapes as scratchy abstractions, almost imperceptibly detailed beyond the reach of their granular vistas. This is most evident in the work of Korean/American artist Jungjin Lee, whose series of books and bodies of work detail the shift […]

Nikolay Bakharev Cheryomushki

Whether it is a proponent of exoticism and all that it entails — both fascinating and ethically dubious — photography has, at its core, an ability to reveal. It can reveal that which is shuttered, hidden, and usually unobservable. In the case of the colonial camera, much of this fascination with otherness leads to the […]

Gareth McConnell Window

  I have mentioned several projects in the past here that use the window as a mechanism for photographic discourse. There are quite a few mentions of the window as a source for inspiration; perhaps the most well-known is eminent curator John Szarkowski’s discourse about mirrors and windows, and the difference between how an artist […]

Julien Langendorff Spell Rider

Julien Langendorff, Spell Rider The roots of cosmic occultism stretch back as far in time as humans have been able to communicate. There is a hermetic order to the universe that has bewildered and engaged the species, giving license to conjecture, theory, and spiritual whim that exceed what lies before our faces. It is a […]

Marie Quéau Le Royaume

  I am trying to equip my early-morning brain with enough reference points to connect the dots in Marie Quéau’s book Le Royaume (Area Books). I should have been better prepared, as I have seen variations of work over the past decade and have been anticipating its release for some time. As I brood over […]

Pas de Culte Roman Kienjet & Willem Van Zoetendaal

Growing up in the 90s, transgression in art, as far as I understood, stemmed from the oppressive neoliberalist tendencies carried over from the 80s. Degrees of Thatcherism and Reaganism haunted the landscape of artistry, alongside many questions arising from social issues concerning the body. Gay rights and the grappling of feminism, and more essentially, its […]

Sandra Cattaneo Adorno 10 Years

Reflecting on the motif of painting with a title. One of the soft critiques I have of the book is that, despite its holistic considerations and the fundamental declarations of artist and publisher working closely together to create a special object, the title leaves something less than imaginable. It is somewhat self-referential regarding the artist’s […]

Florian Merdes Steamcracker

  What strikes me as an interesting premise in Florian Merdes’s book Steamcracker is the enforced myopic rendering of details and patterns, which turns the book and its intense sequences into something minutely chaotic. There is a world underneath the surface of things, a rhythm and a dedication to line that emanates in Florian’s book. […]

Mari Katayama Synthesis

There is a small number of essential photobooks that explore the concept of artistic process/practice and performance. Most recently, I have found myself thumbing through Joseph Beuys: Coyote, by Caroline Tisdall (Schirmer/Mosel, 1976), which features photographs of Beuys’ legendary 1974 performance, I Like America and America Likes Me. The performance, arguably Beuys’ most well-known, next to How to […]

Magdalena Wysocka & Claudio Pogo And Then There Was the Night

  And then there was the night—archives from the edge of hell—chimerical dissonance—six cloven hoof Satyrs. Bachanalian. Excremental. Grain, dissolve. Pushing the sword of Damocles in until the hilt fractures on the bone of the pubic mound. A horsehair away from piercing the veil. Scrutinize, Labotomize. Forever roam. Necessarily hexed, vexed, encouraged by nebulous worlds […]

Batia Suter La Nonpareille

  Batia Suter’s work has several substantial iterations at its heart. It stems from an understanding of volume and how images function, both in terms of their materiality and their historical context. This is most evident in her opuses Parallel Encyclopedia I and II, both published by Roma. The work that Suter makes can be […]

Vincent Jendly One Millimeter of Black Dirt and a Veil of Dead Cows

As if the war legacy of Dunkirk had not already been recognized as a pivotal shit eating point in its past, its charred hand to swollen coal-crusted mouth, poisoned by ethanol overload and toxic industrial habitat, history has now favored turning it from a battle-scarred historical footnote into a vast hellscape busy with killing off […]