Nikita Teryoshin Game of Chairs

As a species, we have become addicted to the spectacle of political theater. Events are organized to engage our sensitive minds in the furor of ideological division, and arguments become tribal tools meant to manifest the supposed will of Western democracy, though little of this exhibitionism uncovers the true vessel of political life, fueled by […]

G. P. Fieret Raw Art on Paper

The idea of the outsider is fascinating in photography. On one hand, the audience for photography loves a surprise story, one that challenges the canon and one that appears to materialize out of nowhere, without precedent, and shaped from the margins of conventions. What is fascinating is the tendency to think such things are less […]

Beni Bischoff Psychobuch 2

To you, Beni Bischof may be a monster. To others, he is an unofficial unsyndicated scribe for the madness of the last half-century of consumer hell that we wade through. They drew first Blood; it wasn’t me. To give context to Bishof’s sprawling and prolific practice from the outside would be an exercise in deep-fried […]

Raymond Meeks A Common-Place Book

In full declaration, as a fan of all parties involved, I hereby cannot deny my overwhelming urge to state that this book, in the canon of Raymond J. Meeks Esq., is hitherto unnecessary, but welcomed nonetheless. It is a compilation of misses, outtakes, and the unloved and weeded-out, minus one image of an alabaster girl […]

Steven Shearer Working From Life

I was fortunate enough to interview Steven Shearer a few years ago for his exhibition at the Brant Foundation. Their publicity team had reached out to ASX, and I was perplexed that they found us, given how most of our reviewing happens predominantly within the realm of photography, with some emphasis on painting and video […]

Raymond Pettibon Nervous Breakdown: Album Covers

If you grew up in a certain period, some of your first experiences with counterculture were inspired by the genius cover artwork of albums by various punk bands, notably Black Flag, by what appeared to be a deranged cartoon columnist. I vividly remember ducking in and out of head/record shops in the Midwest growing up […]

Irina Rozovsky Mountain Black Heart

The Balkans are very hard to describe. Though I have spent an inordinate amount of time in Greece, mostly in its capital, having traveled through the Balkans to get there, I remember a sense of something enigmatic, misty, and compelling as we traveled to and from Greece. I remember thinking about it all on a […]

Ying Ang Fruiting Bodies

Mycellium and fungus in general have been a renewed interest as of late. Some of this is undoubtedly narrowed or zoomed in by the current fear of ecocide most of us are experiencing as we watch wildfires decimate geographies familiar and unfamiliar, as we are forced to watch data centers spring up around natural aquifiers- […]

Anders Petersen Early Portraits

In these days of irreversible rancor and decimation, one cannot help but look backward through the lens of a type in fogged nostalgia for the second half of the Twentieth Century, in the years prior to 2001, also embedded fairly as a time of grave uncertainty. Notwithstanding, this was a time when the travails of […]

Alvaro Deprit An Anatomy of Fear

Art School is a process. It is one of those experiences in life that feels uncertain, tempting, and usually administered to those who wander, who are trying to fidn their footing in life, unashamed to be creative, yet unaware of what it will take to make a career in the arts feasible should they continue. […]

Victor Man: The Absence That We Are

Victor Man’s painting presents a miasmic world in which death is presided over by the elegant souls of the living, and the living, in turn, are reminded of their duty as constant eulogizers of what has been lost. Playing technically off a nod to the kitsch black velvet paintings of the 1960s and to the […]

Hujar: Contact

This is the second book from MACK offering a look into the theme of contact sheets presented over the past year. The first was David Armstrong’s book Contacts (I mean, how else should you call these, Sheets?), published last October, which similarly examined a brilliant tranche of Armstrong’s work through the diminutive, if plentiful, images on his […]