Marina Caneve: Are They Rocks or Clouds?

“I think what was really drawing me to Marina’s book was how it was animating this story of the mountains, their potential and actual destructive forces and how human lives are so dwarfed in the scale of that force yet so emotionally attached to life in the mountains.” – Sunil Shah

Stephen Shore: Transparencies VS. American Surfaces 2020

  “The Transparencies book published by MACK is also significant in its design, the essay within and sequence of the work, which is chapterized by annual progressions through the 70’s American dream in banal (good word, word of goodness) detail”     It is not often that a re-examination of the periphery of a significant […]

Sophie Calle – Because

“The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb” – Umberto Eco, The Name of the Rose. […]

Revisiting Claudia Andujar with Marlaine Glicksman

“Photography is the process of discovering the other and, through the other, oneself. Intrinsically, that is why the photographer seeks and discovers new worlds but in the end always shows what is inside himself.” —Claudia Andujar   As a child, Claudia Andujar laid awake and listened silently for the spirits the servants were certain inhabited […]

Felipe Russo’s Garagem Automática: Cruder Forms Exist

  “The de-anthropocentric consideration of nature, of particle, of process is necessary to discuss the framing of new non-human realities”   Let’s consider an alternative version of history that is based on material instead of human folly. There must be a history individuated for the way in which non-animate objects such as petroleum, electricity, and […]

A Texture Akin to Language: Alan Huck Revisits Michael Schmidt’s Waffenruhe

  “The fridge was loud, but outside it was quiet, much quieter.”     There is a literal wall of language separating the two halves of Michael Schmidt’s landmark photobook Waffenruhe (published in 1987 and reprinted in 2018), a visually sprawling text that spans seventeen pages at the center of the book. Despite the text’s […]

Kenta Cobayashi: CHROMATIC ANGULAR CACOPHONY

Professional photographers are typically trained to hide the mutability of digital images, covering up their handiwork to make their subjects look perfect, moreso than reality itself. Cobayashi toys with this mutability.   Swirled up buildings, highways and hair all come together in an ecstatic mix of street fashion-shoot, slice-of-life and cityscape. You can trace the […]

Tenzing Dakpa: The Super-familiarity of Home

“This is a so much about family that the idea of the hotel and its function as the construction and as a dwelling for temporary accommodation, reflected through the blueprint cover and letterheaded endpapers is anything but the impersonal experience of temporary lodging.”

JM Ramírez-Suassi: Fordlândia Interview

  “The photobook is a balance, at least its the intention, between this utopia (or maybe call it heterotopia, a concept made up by Foucault) and a life experience…”   Fordlândia is an incredible book. IT is an imagined place where the 20th Century’s technological and capitalist utopian visions collide with the reality of the […]

Gordon Parks: The Atmosphere of Crime, 1957/2020

  “It would be easy for me to say that this book is published at the right moment and that it correlates a simple reminder about the inhuman conditions of the past…”   It is June 9th, 2020 and as I sit here penning this “review” of Gordon Parks perhaps sadly non-anachronistic and oddly prescient […]

Khadija Saye: In this Space…

“Through connections to her family, dual religions, rituals and historic re-interpretations she staged herself in performative postures, using dress and ritualistic objects to perform specific rites or ceremonies for the camera.”

Tatum Shaw’s PLUSGOOD! Color Corrected

“All are slightly queasy in appearance, the Technicolor saturation making the images unbelievable to some extent, which adds to the delirium of her dream state”.     High-intensity color saturation in a photograph creates something of a parallel universe in which things can feel positively uncanny. I would suggest that in terms of historical notation […]