Bill Sullivan: Self Portrait With Mirrors

“To pass the time, many people have taken to Internet sharing services to commune with friends in chat rooms, exhibit work through virtual galleries and to sift through and curate (cause why not) their Internet presence as time allows”     There are a host of reasons why Bill Sullivan’s “Self Portrait with Mirrors” (Sun […]

Bildband Berlin: Support Photography Bookshops #3

  “I’d been playing drums in a few bands, Th’ Faith Healers and Stereolab among others, and between tours and photo jobs I’d take off on photo projects of my own, often to Berlin. Eventually I got a place in Berlin, because I realised it had a lot of what London was losing, it’s a […]

L’Ascenseur Végétal Interview: Support Photography Book Stores #2

“I know the first photograph that left a significant mark on me, to this day, is George Rodger’s picture of the defeated Nuba wrestler carrying the victor”   Claude Lemaire runs L’Ascenseur Végétal in Bordeaux, France and stocks both new and antiquarian photography books. With all of these interviews, what I hope to accomplish is […]

Maria Lax: The Phenomenon of Fire, Regardless Its Truth

“In the case of phenomenon, we often commodify our intentions and collude over a recognized minority of experience based on the slight repetition of the materialization of unnatural form”   There is a common element that divides the paper-thin system of belief between what we consider phenomenon and what we consider truth. This is the […]

Micamera Interview: Support Photography Book Stores #1

“We wanted to show ourselves that we could restart from nothing and realize a dream. Photobooks were basically unavailable in Milan…”   This is the first post in a series of posts about photography bookshops during the time of quarantine. There are a number of people behind the scenes who work tirelessly to promote photography […]

Sarah Walker: Pelči Manor A Guide to Attic Photography

“The historical representations of architectural photography deal in large measure with style and period, but are also concerned with the history that passes through the buildings within the frame”.   There are antecedents to every photograph produced in the present day. In the case of architectural photography, there are many ways in which we can […]

Land’s End: Trauma is a Strange Attractor

“We are on occasion reminded on occasion of a great plague pit, its underground presence rewarded with a blue plaque to signify its existence as both a terrible debacle in our local history and yet it tellingly reminds us of the foreboding possibility for futures yet unspoken”   Trauma is a strange attractor. Just as […]