Joel Meyerowitz – “Photographer” (1982)

CONTEMPORARY PHOTOGRAPHIE IN THE USA – Cinematic workshop discussions about an art form in our day and age. Documented photographers: Robert Frank, Duane Michals, Garry Winogrand, Lee Friedlander, Thomas Roma, Alfred Stieglitz, Harry Callahan, Lisette Model, Ralph Gibson, Mark Cohen, Joel Meyerowitz, Stephen Shore English – Colour – PAL or NTSC – 4:3 – 52 […]

Robert Frank Interviewed at Wellesley College (1977)

“It was logical for me to get off doing still photography after becoming a success at it. I think it would just become a repeat—I would repeat myself.”   An interview with Robert Frank, from one of ten symposiums at Wellesley College 1977 called “Photography within the Humanities”. Robert Frank: I’m just trying to, as they say, […]

Walker Evans: “A Penitent Spy (Excerpt)” (2000)

Cuba, 1933       By Belinda Rathbone, excerpt from Walker Evans: A Biography, 2000 By the late 1960’s, the influence of Walker Evans on a younger generation of American photographers had proved to be as profound as it was subtle. For an artist who never sought disciples, Evans had acquired an extraordinary range of […]

william eggleston

William Eggleston – “Before Color” (2010)

  William Eggleston can’t actually separate himself from his “South”. The “South” is embedded into him so deeply that it has become something of a stamp or a mark.   By Doug Rickard William Eggleston is a “Southern” artist. Without a deeper explanation, this statement itself could mean a few things. If you look at […]

‘Adult Pictures’ in Larry Sultan’s ‘The Valley’ (2002)

There is a perfectly calibrated ambiguity to Sultan’s work that opens it up to narrative speculation. Carnal plots and subplots nag at the viewer, even when no one in the photo is naked or having sex.   By Bernard Cooper, Excerpt from Los Angeles Magazine, March 2002 Sex and work aren’t words you’d use in […]

Notes from the Margin of Spoiled Identity – The Art of Diane Arbus (1988)

“I always thought of photography as a naughty thing to do, that was one of my favourite things about it, and when I first did it, I felt very perverse.” – Diane Arbus   By Gerry Badger, Originally Published in Phototexts, 1988 The principal issue raised by the remarkable photographs of Diane Arbus seems not […]

A Statement by Robert Frank (1958)

With these photographs, I have attempted to show a cross-section of the American population. My effort was to express it simply and without confusion. By Robert Frank, U.S. Camera Annual, p. 115, 1958 I am grateful to the Guggenheim Foundation for their confidence and the provisions they made for me to work freely in my […]

Lou Reed on Robert Frank: “Sick of Goodby’s” (1978)

Sick of Goodby’s, Mabou, 1978, Robert Frank   Paint dripping from a mirror like blood. I’m sick of goodbyes.     By Lou Reed, originally published in Tate Magazine, Issue 2, Autumn, 2004 I was looking at Robert Frank’s photograph Sick of Goodby’s in his book The Lines of My Hand. Moments before I had been […]