“He just liked to take the pictures of me. In every pose. Rain or shine. And whatever I was doing. If I was doing the dishes or if I was half asleep. And he knew that I never, never said no. I was always there for him. Because I knew that Harry would only […]
“So in a sense they (books) had no–there was no school of thought, and I felt at that time that it was unexplored. That’s one reason it attracted me.” MR. KARLSTROM: What about your books? This is a last thing that I’d like to at least get started on. You have created I don’t know […]
“They can be one-liners, essentially.” – Stephen Shore Excerpt from “LIVING TODAY: Stephen Shore’s Internal Revolutions” What has interested me most in the past half-year has been Instagram. For the past couple weeks I’ve been very busy and haven’t posted a lot, but I went for perhaps five months posting almost every day. […]
Stephen Shore in conversation with Jeff Rosenheim, Curator of Photography at the Metropolitan Museum of Art, at the International Center for Photography (ICP).
Memory is largely based on lived experience. We remember important events that mark the passage of time, and as we get further away from those events our memories may be distorted; we lose details and make additions along the way. By Megan Bradley, first published in Volume 3 of the Concordia Undergraduate Journal of Art History […]
Untitled (Head), 1981 His paintings proclaimed the existence of a more basic truth locked within a given event or thought. The Defining Years: Notes on Five Key Works By Fred Hoffman The idea that the soul will join with the ecstatic Just because the body is rotten— That is all fantasy. What is found now […]
“There is no truth in photography. There is no truth about anyone’s person.” – Richard Avedon Excerpt from Richard Avedon interview in Egoiste, September 1984 Nicole Wisniak: Do you think a photographer is a person obsessed by the fact that things disappear? Richard Avedon: I can’t generalize. All the remains of my father is a […]
He was also known to be reluctant to involve himself in black politics, often finding himself estranged from “up town” black artist communities. By Louis Armand, from a lecture at the Comparative Studies Colloquium, August 30, 2000, Monash University, Melbourne, Australia. When Jean-Michel Basquiat died in 1988 at the age of twenty-seven he had only been […]
“In Butte, Montana, he photographed a slovenly, middle-aged woman in her car with a sullen child staring out of the window behind her. He showed a bench full of decrepit old people in St. Petersburg, Florida, staring at nothing in particular while a shiny new Pontiac whizzed by on the street behind them.” By […]
Brassai always insisted that none of his photographs was posed… By Marja Warehime, excerpt from Brassai: Images of Culture and the Surrealist Observer Brassai always insisted that none of his photographs was posed, and there is no reason to believe that he behaved differently with the toughs in the rue de Lappe then he […]
Williams wrote me that there was a photographer there who took pictures of children and American flags in attics. Excerpt from The Geography of the Imagination: Forty Essays By Guy Davenport When I moved to Lexington in 1964 the poet Jonathan Williams wrote me that there was a photographer there who took pictures […]
Stephen Shore is truly the photographers’ photographer. For over forty years, he has contributed his gift to the creative world through books, exhibitions and professorship. In this short documentary interview, Imagista’s director Heidi Hartwig dispels the mystery of the man behind the mythology. EXPLORE ALL STEPHEN SHORE ON ASX