Daisuke Yokota’s “Taratine”: A Lexicon of Milk
Daisuke Yokota’s “Taratine” is a personal journey between the worlds he once knew of his mother to that of his lover.
Daisuke Yokota’s “Taratine” is a personal journey between the worlds he once knew of his mother to that of his lover.
What once was is now that of accouterments of a lifetime wasted in the stable of senseless mediocrity. I type trying bitterly (perhaps) to formulate the playful hypocrisies of a commanding youthful idiocy into a bittersweet doctrine of sustainable return for the elderly elite deprived of the inconsistent economy of childhoods that have been forgotten. […]
@ Meryl Meisler “The change we monitored came to us through the shifting tides of our visual culture and the places that would slowly evaporate under the “future”. Disco Clubs, roller-skating rinks, the ma & pa stores, these places are where change happens”. Everything had changed quite dramatically in the neighborhood. The sounds of children […]
“We never cared about what other people thought. I still don’t. “
“Classon” is breakthrough in a way for artists Yoshi Kametani and Daisuke Yokota.
There are no names, just awkward glue marks and yellowing tape- completing a metaphor for the supine bodies within.
There is a hint at the connectedness of a global community seething through super-highways of wiring, air travel, and satellite reception.
Tiane Doan Na Champassak is a machine. He works incredibly hard and is one of the busiest publishers of his work out there.
All of the images have been collated from the Internet and are displayed spread by spread.
“Briney Breezes” is a distinct and somehow discomfiting collection of images between Charles Johnstone and the tireless Aaron McElroy.
“I consider the photograph as an imprint, remnant, of an activity. The fact that the photograph exists implies a viewer located it at a specific place and time”. Brad Feuerhelm in Conversation with John Divola, October 2015 BF: I’ve been reading some of your interviews from the 80’s to present. What strikes me is the consistency […]
“There is a relevant question: can I learn anything from a dead body, from a corpse without a name and history? It is only a dead piece of meat that has a certain shape but it has no story. So I document dead piece of meat, indeed”. An Interview with Goran Bertok, by Brad Feuerhelm […]