Jonathan Meese is one of those artists compelled by an unseen, yet pernicious, towering force that many of us cannot recognize as anything else but a steam engine powered by Satan and maybe curry wurst, lager, and a cartoonish desire to paint the times as a disgraceful embodiment of human spirit, causality, scum, and victory. […]
In the ever-expanding historiography of photobook culture and history, once we escape the tedium of nationalism embedded in the ceaseless photobooks from “X” country, we can finally begin to untie genre, and to make sense of what attitudes that exceed these nationalistic behaviors have been present in the making of books throughout the 20th and […]
There has rightfully been what I might consider an epidemic of navel-gazing in American photography over the last decade. It sounds awful to say it that way, and maybe to unburden the semantic load of the navel, I might consider it inward, or soul searching, if that is more palatable. When I mention this, it […]
The life of Sarah Schumann should be much better known to the world. As a proponent of the New Women’s Movement, a talented painter, collagist, designer, and all-around life of post-war intrigue suggests a profound tie to the German movements of the mid-century, and yet, like many artists, particularly female artists of the Twentieth Century, […]
First published in 1975, Paul Virilio’s Bunker Archaeology has become a classic between categories of production. First and foremost, it is an essential book of photographs that typologically investigates the remnants of Second World War bunker armaments mostly along France’s Western coastline. These heavy structures, though short and squat, are impressive concrete-and-rebar boulders that sit […]
I was never accustomed to the tall tales of muchroom pickling that pervade Europe. Mildly aware of the phenomenon back in Wisconsin around the spring movements of the morel mushroom picking season, born to a family of hunters, I did not grasp the essential nature of mushrooms and fungi until quite late in my lifetime. […]
So, I’ve never watched a single one of Lanthimos’s films. Maybe this will change in the near future. Dunno. I am aware that I do not know a Dog’s tooth from a Frog’s gooch. In order to subvert my programming, which some of my more learned friends insisting that I am already in denial over […]
Agony in the Garden. Parables. Metaphors. Incisive mythology within the realms of the contemporary political landscape of Europe in the 2020s. To reduce Lua Ribeira’s work to any single motif is an exercise in futility. Instead, the analysis must stem from the aggregate means of its parts. Of course, one cannot simply resign the work […]
I am writing this dispatch from Athens, Greece, where we are currently on the third day of shooting. The following work is part of the Nearest Truth Workshops, The Dailies workshop, which includes instructors Bryan Schutmaat, Matthew Genitempo, and Brad Feuerhelm. The workshop outline is detailed as follows: Dailies is a newspaper term for a daily […]
Sometimes, all it takes is a corner and a series of evaporating shadows to serve as a conduit to greater understanding of the built environment and all the human activity that has transpired within it. In studying Charles Johnstone’s court photography, what is exceptionally evident is the simplicity with which the rendering of space […]
I am writing this dispatch from Athens, Greece, where we are currently on the second day of shooting. The following work is part of the Nearest Truth Workshops, The Dailies workshop, which includes instructors Bryan Schutmaat, Matthew Genitempo, and Brad Feuerhelm. The workshop outline is detailed as follows: Dailies is a newspaper term for a daily […]
Day 1, February 4, 2026 I am writing this dispatch from Athens, Greece, where we are currently on the second day of shooting. The following work is part of the Nearest Truth Workshops, The Dailies workshop, which includes instructors Bryan Schutmaat, Matthew Genitempo, and Brad Feuerhelm. The workshop outline is detailed as follows: Dailies is […]