In 1953, Robert Rauschenberg set out to create a work in which erasure/negation would define the principal production method. Instead of building a drawing or painting up from aggregated layers, the artist made a conscious conceptual decision to work backward from the point of completed artwork back to a form of trace in which the […]
In a moment where technology desires to exponentially double and triple its rate of occupancy in our fevered minds with its unlimited growth prospect, followed by its unmitigated potential to cause alarm instead of vague dreams of progress, from the militarism of our economies to the pursuit of transhuman desires of biological co-habitation to […]
Peppered throughout major cities, including Berlin, where the new photobook Triple Seven by Anne Lass was shot, are clandestine spaces that most of the population will never enter or see. Men’s clubs in North London, brothels in Marseilles, and small gambling rooms in Berlin, as Lass has photographed, are secreted behind a façade of […]
Coal mining is a very peculiar enterprise. The 19th and 20th Centuries committed untold heaves of labor to its extraction. It fuels communities, yet its extraction suggests a disemboweling of the land where these communities settle. The prospect of coal mining is one of capital and capitalism. The very human clay that mines these enterprises […]
I feel a common bond with this book. Aapo Huhta has explored a few different terrains that I have also explored or happened upon over the last decade, and he has combined them compellingly. It is another book in an increasingly exciting year for the publisher Kult Books, whose imprint I am following closely […]
Full Article on Patreon Julie van der Vaart‘s Blind Spot (VOID, 2022) aims to reconcile the body with geological formations that illustrate the schism between the notion of time and its readability by the mind and body of humankind. A long-term project, the book is a thick volume of van der Vaart’s photographs veiled in […]
Full Article on Patreon …The book is well-sequenced and edited by the Studiofagnel team, with passages of images coordinated by gold and brown to off-white images of textiles and walls. A labyrinthian element asks the viewer to navigate through the corridors of Polici’s world akin to reading Borges. Nothing is inevitable, but the viewer’s […]
Full Article with More Images on Patreon It is essential to understand the biography of Tomatsu to understand what the emotion of rage or anger may be prevalent in his work. As a pubescent teen during the atomic bombing of Japan and the subsequent end of the Second World War, Tomatsu recalls the occupation […]
Full Article on Patreon Preliminary Analysis of Nakahira Takuma For a Language to Come (Kitarubeki Kotoba no Tameni) There are several things that I love about Nakahira’s book. The idea that he does not make formal considerations such as vertical vs. horizontal page layout a huge deal. He switched to verticality with […]
Full Article on Patreon I am curious as to what lies between the notion of glancing versus that of observation. Can an observation be reduced to a glance? Can a more prolonged glance become an observation, and what do these questions pose to how we make photographs and how do we view them […]
Full Article on Patreon So, the dig at post-industrial decay has put a giant bee in my bonnet. But what should I expect about the unspoken class issues that revolve and permeate through and in photography these days? I mean, if you have a New York-London-based photographer stat in your bio and are in […]
Full Article on Patreon Andreas Gehrke is someone who I have covered previously for his exceptional photobooks. I have nearly every title he has produced, and standouts include Berlin a Brandenburg, among many others. His output is incredible, and he also self-publishes these titles under his imprint Drittel Books. What I find universal in […]