@ Michele Sibiloni Its tick-box approach to images, the title, the cover, the text within capitalize on the “rough” Ugandan nightlife and seems very much directed at a Deutsche Bourse Prize/ Magnum/ Western White latte audience. I usually start most of my reviews with a literary metaphor. I feel to do so is to […]
You see kids… smoking and ingenuity continue to cross paths and it is our duty to consider not only the goat but also the legend of Chase England’s “Alive with Pleasure”.
Estelle Hanania is what I would consider a sort of phenomenological anthropological photographer. When I say this, I mean to consider her an anthropologist with a camera interested in regarding a marginal culture shifts rather than a quotidian and beleaguered photographer attempting to secure an interesting topic. Do we always disappear? Does custom evade […]
“These dreams were a product of the IV missing the vein repeatedly and causing a beautiful shade of crimson, blues, fading to yellow just under the parchment-like encasement”. There would always be consequences to these observations. The longer days when their skin dried out and flaked off to the pavement before being carried away by […]
I can imagine what it is to wake up in a city like Dresden the morning after being carpet bombed by Allied forces in 1945…
Images that travel; images for hire. The postmarking of images. The weathering and creasing defamation, which detracts the value of a post-card is insipid as to its method of its perceived “correct” representation or is it?
Thatcher was out, the false promises of Blair’s lying and callous maw was in. The 80’s and 90’s were different.
“The House Project” by Roger Ballen and Didi Bozzini with Oodee publisher is by far the best Roger Ballen Book I have seen.
It was a lifestyle to say the least and it radiated past the unnecessary notions of industrial progress for that of inner and group progress.
Each image still serves as a living testament of sorts, but as winter approaches, I fear they will begin to form colonies of graves, for which, I have no answers.
‘Chronicle’ by the Shilo Group (Sergiy Lebedynskyy and Vladyslav Krasnoshchok) is a field guide study in monochrome of various fires lit to burn various bridges across the Ukraine.
“To not understand time or the chrono-contextualization of an image is to discover that our potential theories of pre-existing semiotic signifiers may be out of order”. By Brad Feuerhelm, ASX, November 2015 The theory of the subject in semiotic terms, concerns itself with the concept of personal perspective in the sense that the arguments […]