Charlotte Lybeer and the Teletubby Who Hung Himself

Charlotte Lybeer’s “Epidermis II” for APE is not about teletubbies or suicide, but it is about the veil or a practice of shrouding oneself called “Zentai”, which like all things post-taboo seems to be Japanese in origin.

What a 1980’s Tension Memory Looks Like

@ Brad Feuerhelm   “That is just the impatient me waiting for my own teeth to fall out as I doubt I will ever find the bouffant that defines me”.   I stood sifting through the remnants of somebody else’s life, the precipice correlated somewhere between the footnote of commerce and an inability to understand […]

Satoshi Fujiwara: This City on Rails, It Pivots Relentlessly

”The whole city though I am only in a neighborhood seems capable of changing its face as I am carried through it offering possibilities for omni-architectural and urban planning on rails”. I have this repeating dream in which I am in an urban environment not dissimilar to Berlin. The buildings have a late nineteenth century […]

Irina Ionesco Interview: Static Frame, Opulent Realities

@ Irina Ionesco “For the most part, my characters are portrayed in some sort of deep concentration resulting in my personal interpretation: melancholy dream – expectation – prayers and enigmas”. Irina Ionesco is a name that has not been touched upon by photography enthusiasts much since the 1990s. Yet, her work has a strong influence […]

Indexing the Execrable: Stefan Ruiz’s Mexican Crime Photographs

“Here he has collected thieves and murderers, but mostly thieves. Los Ladrones. Sticky fingers”. Mexican Crime Photographs from the archive of Stefan Ruiz With dry and flaking fingers, the man combs over the contents of a shoe box full of rusty paperclips and tattered and some odorous pieces of paper featuring young men, so many […]