Where You Weren’t When We Were: SMILER
Thatcher was out, the false promises of Blair’s lying and callous maw was in. The 80’s and 90’s were different.
Thatcher was out, the false promises of Blair’s lying and callous maw was in. The 80’s and 90’s were different.
“You have to be prepared to look in the ‘low’ places in our visual culture as well as the ‘high’. You have to be a rag picker as much as a connoisseur”.
“Materiality has always been a strong thread in my work.”
Bacon felt very strongly about phraseology. He erased words like ‘very, very’, or ‘well’, and ‘you see’, but added words like ‘accident’ and ‘artificial’.
“The House Project” by Roger Ballen and Didi Bozzini with Oodee publisher is by far the best Roger Ballen Book I have seen.
It was a lifestyle to say the least and it radiated past the unnecessary notions of industrial progress for that of inner and group progress.
Each image still serves as a living testament of sorts, but as winter approaches, I fear they will begin to form colonies of graves, for which, I have no answers.
“I was completely blind by the way. My optic nerve had been bounced off. I couldn’t see a goddamn thing. I had a huge hole in my leg, went right through here.”
A simpler question is, if this is what political art looks like, what does non-political art look like?
“This is what we did. How did it happen? How could we?” – Dorothea Lange
“These photographs are clearly fixed facts of the real world impartially recorded by the camera, but they are something more as well.”
No one was selling any work then, understand that. All these things that you know about now. I could tell you story after story.