Christine Osinski: Staten Have You Home by Eleven
The images remind me of the bulk of 70’s American photography. There is a bit of Arbus, Friedlander, Robert Frank, Garry Winogrand, Bill Owens.
Bertien van Manen’s Edges of Cartographic Reason
Bertien van Mannen’s “Beyond Maps and Atlases” is a composition of dis-rhythmic proportion. Her investigation into the Irish landscape is not so much depressing as it alludes to the bittersweet.
Nadav Kander and the Pathos of Nuclear Human Negation
“(Nadav Kander) has made images of divination from a callous disregard of human life.”
An Endless Golden Carefree Summer – on Maude Schuyler Clay’s ‘Mississippi History’
“Many photographers focus on capturing their loved ones, but it is difficult to give such portraits a universal dimension so as to be interesting to a larger audience than the immediate circle of friends and family”. By Karin Bareman, ASX The first image in Maude Schuyler Clay’s Mississippi History that mildly piqued my interest is […]
Indexing the Execrable: Stefan Ruiz’s Mexican Crime Photographs
“Here he has collected thieves and murderers, but mostly thieves. Los Ladrones. Sticky fingers”. Mexican Crime Photographs from the archive of Stefan Ruiz With dry and flaking fingers, the man combs over the contents of a shoe box full of rusty paperclips and tattered and some odorous pieces of paper featuring young men, so many […]
An Interview with Paul Gaffney
“That process of walking every day for long periods of time, you slow down, you start to really observe how your mind’s working, get a different sense of the connection between mind and body and your surroundings. It was a very physical process, and the pace was quite meditative, so I wanted to make a […]
Exploring Two Works by Diane Arbus and Their Connection to the 60’s
A Young Man in Curlers at Home on West 20th Street (N.Y.C. 1966) Arbus uses a strong flash to create a high-contrast photograph in “A Young Man in Curlers at Home on West 20th Street,” which is representative of the strong, conflicting ideologies of Americans in the 1960s. The man’s face is stark white compared […]
I have Come to Disappoint You: Michele Sibiloni’s “Fuck It”
@ Michele Sibiloni Its tick-box approach to images, the title, the cover, the text within capitalize on the “rough” Ugandan nightlife and seems very much directed at a Deutsche Bourse Prize/ Magnum/ Western White latte audience. I usually start most of my reviews with a literary metaphor. I feel to do so is to […]
Aleppo Drone Footage (2016)
Drone footage shows the devastated buildings of east Aleppo, Tuesday, less than 24 hours after the Syrian Arab Army (SAA) announced it had succeeded in pushing the opposition fighters out of the remaining neighbourhood.
Chase England Sacrifices a Goat From the Pulpit of Pornography’s Greatest Hits
You see kids… smoking and ingenuity continue to cross paths and it is our duty to consider not only the goat but also the legend of Chase England’s “Alive with Pleasure”.
Doug Aitken: “Electric Heart” (1999)
In many ways the process of my work is an ongoing experiment to see how I can open myself to a larger field of experience and information. At times I live nomadically, wandering, going from project to project and city to city. I find myself moving through space and responding to experiences in a way […]
This Disconnecting Solace: Julie Van Der Vaart’s “Dusk”
Julie Van Der Vaart’s “Dusk” is a shrouded piece of photographic investigation into nocturnal unreason where silver nitrate meets the dim slow hum of dull bulbs or flickering candles at best.