Walter Keller: Beruf: Verleger. A Tribute

“So, when we consider respect in the medium, we can limit our discussion by looking at who is contributing to our world and who is not. Publishers by and large are the unsung heroes of the day”.     A friend of mine recently commented on the lack of risk-taking in publishing. I took some […]

Daido Moriyama Photographs Rebellion, Deconstructs Himself

Photographer Daido Moriyama reflects on the rebellious youth culture of late 1960s Japan, a period when he and his colleagues were working on the avant-garde photography magazine Provoke (1968–69). He discusses his attempt to deconstruct the medium in his series Shashin yo sayonara (Farewell Photography) (1972), though it ultimately deconstructed him.

Robert Adams’ Landscape of Mistakes

Photographer Robert Adams discusses the mystery and contradictions involved in capturing the American West on film. He describes making pictures of Colorado and California, where he uncovered both the darkness and the beauty of humans’ impact on the land.

Stephen Shore: How to See (2018)

“Whenever I find I repeat myself, I look ahead in a new direction.” — Stephen Shore Photographer Stephen Shore wants his pictures to feel as natural as speaking. In this gallery tour, Shore reflects on his six-decade long career—from his early work taking pictures in Andy Warhol’s Factory to road trips across America. “Stephen Shore” […]

Diane Arbus: Imaginary Lives, Subjective Projections

“Arbus reveals the powerful ability of photography to lie, but also it is a testimony of how the lie is not mere betrayal, but a far-reaching human necessity to escape factual reality, the human urge to create and believe in stories, to draw mythical worlds and the inter-subjective life’s alternative narrative.”   Imaginary lives, compulsive […]

Exploring Two Works by Diane Arbus and Their Connection to the 60’s

A Young Man in Curlers at Home on West 20th Street (N.Y.C. 1966) Arbus uses a strong flash to create a high-contrast photograph in “A Young Man in Curlers at Home on West 20th Street,” which is representative of the strong, conflicting ideologies of Americans in the 1960s. The man’s face is stark white compared […]

Francis Bacon on Violence, Suffering and Painting for Himself

Painting, 1946 @ The Estate of Francis Bacon “”I think that life is violent and most people turn away from that side of it in an attempt to live a life that is screened. But I think they are merely fooling themselves. I mean, the act of birth is a violent thing, and the act […]

William Eggleston – “TateShots” (2014)

Known for his rich and complex images of the American South, William Eggleston is the godfather of colour photography. Though his images record a particular place at a certain point in time, Eggleston is not interested in their documentary qualities. Instead, when asked what he is photographing, Eggleston simply answers ‘Life today’. Curator Simon Baker […]

Robert Frank: “Unpleasant Connections” (1991)

“In Butte, Montana, he photographed a slovenly, middle-aged woman in her car with a sullen child staring out of the window behind her. He showed a bench full of decrepit old people in St. Petersburg, Florida, staring at nothing in particular while a shiny new Pontiac whizzed by on the street behind them.”   By […]