Wonderland Park, 1958 @ The Estate of Julius Shulman “Now the point is in those days, out of $179 income, photography equipment was minimal, the kind I used. Photography film and paper–I did all my own work. Enlargements cost you maybe five cents a piece of paper, for an eight by ten sheet, if that […]
@ the Estate of Josef Albers “I still like to believe that the square is a human invention. And that tickles me. So when I have a preference for it then I can only say excuse me.” – Josef Albers An interview of Josef Albers conducted 1968 June 22-July 5, by Sevim Fesci EVIM FESCI: […]
Heaven Hell @ Ed Ruscha “I have really no direction, I have no plans. I can’t write my future. I can’t write my own history. I’m most fascinated by that one idea of the things that are undone now, will be done in five years time.” – Ed Ruscha MR. RUSCHA: I think the […]
“No it’s not!” I said, “I’m going to prove to you that it’s not. I can do this and it’s not pornography!”
”I go to places and I have the belief that if I can photograph well, the places will educate me to things I do not know about them.”
“(Congo) is one of the very few places in the world that has not been extensively documented.”
“We never cared about what other people thought. I still don’t. “
“I consider the photograph as an imprint, remnant, of an activity. The fact that the photograph exists implies a viewer located it at a specific place and time”. Brad Feuerhelm in Conversation with John Divola, October 2015 BF: I’ve been reading some of your interviews from the 80’s to present. What strikes me is the consistency […]
“There is a relevant question: can I learn anything from a dead body, from a corpse without a name and history? It is only a dead piece of meat that has a certain shape but it has no story. So I document dead piece of meat, indeed”. An Interview with Goran Bertok, by Brad Feuerhelm […]
“I was 28-years-old when I took my first photo, and it felt good.”
“Since I became director in October 2014, I followed the emphasis on quality, but also started showing exhibitions that relate more to cultural matters, such as fashion, history and biography, among others”. Nanda van den Berg is Director of Huis Marseille Museum of Photography. She is the curator of Viviane Sassen / In and out […]
”It seems to us that there is a huge shift in how the industry and photographers are operating and the lines between fine art and commercial photography are blurring, paving the way for young photographers who are prepared to take risks and establish a career across both worlds. As a commercial agency we have always […]