Moises Saman is one of the most substantive and accomplished conflict photographers working today. A member of Magnum since 2014, he is best known for photographs he has been making for more than two decades working throughout the Middle East, during which time he covered the Iraq War and the Arab Spring. Many of the […]
Photographer Larry Sultan’s iconic photobook Pictures from Home, initially published in 1992, found renewed acclaim with its 2017 re-release by MACK. Sultan’s intimate exploration of familial bonds captured the attention of audiences worldwide, culminating in an exhibition at the Museum of Modern Art in New York in 1989. The impact of Sultan’s photographic series resonated […]
Hristina Tasheva’s newest book, Far Away From Home: The Voices, the Body and the Periphery (Self-published, 2023), is an ambitious attempt at mapping the disparities between two national experiences of Communism in the twentieth century — the Dutch and the Bulgarian — as they were impacted by the rise and fall of Nazi Germany. The […]
Keisha Scarville and I spoke via email to discuss her new book lick of tongue, rub of finger, on soft wound (MACK, 2023), which was shortlisted for the Aperture/Paris Photo First PhotoBook Award. The book is constructed with images from several bodies of work over the past 20 years, each of which in its own way investigates […]
Dan Skjæveland is a Norwegian artist living in Trondheim. He recently published his first monograph with Nearest Truth Editions. I spoke to Dan about his way into photography, his process and the making of his book 33 Suspensions. — ASX: Let’s talk about your beginnings. How did you come to photography? Dan Skjæveland: I came to photography […]
“You know, the way that if you can stay curious about something, and keep attending to what it is in this moment of encountering it, there’s always more to discover” ZD: I wanted to kick this off with a fairly straightforward question, but it might turn out not to be one. […]
“The phrase “necessary fictions” both characterizes state-created realities, whether simulation in the military training context or the deployment and consumption of fictions in civilian society, and also comments on the documentary form.”
“When I graduated from CalArts with an MFA in 1993, I moved to New York City. It’s never an easy time to launch as an artist, but that was a particularly bad time. It was pre-internet, of course, so there were fewer ways to get work seen, and the gallery system was very small […]
“One photographer that impressed me enormously – but it wasn’t my kind of thing at all; I didn’t really do it, but I thought it was brilliant. And also use of text. Both actually – both used text and image. It was Ed van der Elsken.” Excerpt from a tape-recorded interview with Lewis Baltz […]
“This is before the Internet and I was living in an isolated place, so access to ‘culture’ was quite limited but I fortunately did have the photography magazines my parents were buying as well as the radio shows I would try to tune into from the countryside to copy the music on tapes…” BF: […]
“I had a calming moment and I started to nurture my love for cinema. So I guess for me to play the long game was to end up making cinema, starting by photography, then making music and so on. Cinema is the unification of all arts” BF: Michael Kominek-artist, publisher, gallerist, book seller-what […]
“We wanted to show ourselves that we could restart from nothing and realize a dream. Photobooks were basically unavailable in Milan…” This is the first post in a series of posts about photography bookshops during the time of quarantine. There are a number of people behind the scenes who work tirelessly to promote photography […]