LARRY SULTAN & MIKE MANDEL: “EVIDENCE”

  From 1975-1977, Larry Sultan and Mike Mandel selected photographs from a multitude of images that previously existed solely within the boundaries of the industrial, scientific, governmental and other institutional sources from which they were mined.  The project, “Evidence”, was funded by a grant from the National Endowment for the Arts, and was one of […]

Daido Moriyama – “Labyrinth” (2012)

Honesty and reality are the wrong type of word to describe the work of a man with a camera. Labyrinth especially is not photography representing reality, but photography representing photography.

An Interview with Anna Fox (2013)

From 41 Hewitt Road By Niccolò Fano for ASX, May 2013 Anna Fox (born 1961) has been taking pictures for over thirty years, documenting her surroundings and reinforcing the strong tradition of British colour photography initiated and developed by practitioners such as Martin Parr, Paul Graham and Paul Reas. Her work is often described as […]

An Interview with Koji Onaka (2013) – Drifting Free on a ‘Twin Boat’

  “The suburbs don’t change at the same pace of cities. Some of the places I visited twenty years ago will look the same way today. I’m not interested in crowds, so it’s more conducive to my working habits to be in the suburbs.”   Vladimir Gintoff interviews Koji Onaka for ASX. May 2013, at […]

Bill Owens: “American Photography and the American Dream” (excerpt) (1991)

The people in Owen’s book Suburbia, are still under the “spell” of the American Dream. They live in California suburban communities where, according to Owens, “everyone… lives ‘the good life’, which means having attractive homes, high paying jobs, swimming pools and shiny cars.”   By James Guimond, excerpt from American Photography and the American Dream, […]

Lee Friedlander Puts Your Selfies to Shame

  “At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to those feelings.” – Lee Friedlander Lee Friedlander: Self Portrait Museum of Modern Art EXPLORE ALL LEE FRIEDLANDER ON ASX […]

About Irving Klaw – “An Interview with Paula Klaw” (1980)

By Gloria Leonard, originally published in High Society,  October 1980 In an exclusive interview with Paula Klaw, Gloria uncovers the fascinating birth of commercial bondage photography in the U.S. The surprising private life of Betty Page, the all-time favorite bondage model, is revealed as well as the story of the government’s relentless efforts to stamp […]

DAIDO MORIYAMA: “FAREWELL PHOTOGRAPHY” (1972)

“At that time I was frustrated with everything, including photography – particularly my own. There was a sense of irritation generally in the air, so I just thought ‘let’s completely deconstruct photography’.” – Daido Moriyama

DAIDO MORIYAMA: “BYE BYE PHOTOGRAPHY” (1972)

Bye Bye Photography. The photographer’s third book: a masterpiece of Japanese photography, and the book that best illustrates the conceptual ideals and vision of the Provoke photographers. Here Moriyama pushes the boundaries of the medium: assembling images from a variety of sources, placing them in a tumultuous and discordant anti-sequence, and assaulting the viewer with […]

David Moore: “Pictures from the Real World” (2013)

David Moore: Colour Photographs 1987-­88 Pictures From The Real World Essay by David Chandler If the chemically charged 1960s brought new constellations of colour to the drab austerity of post‐war Britain, then British documentary photography remained that period’s more sober shadow: resolutely black and white and firmly rooted in a past, it was the serious, […]

John Szarkowski On Robert Frank’s Book ‘The Americans'” (1986)

I saw it I suppose very shortly after it was published, when I was still working as a photographer myself, and it was, frankly, shocking. I sensed the power in it, and the authority about it but there was much about it that I didn’t like… The Americans was received with mixed critical reaction. Not […]