Der Greif: An Interview with Simon Karlstetter

“When it comes to thinking about and working with photographic images nowadays, I think it’s crucial to engage with the ways these images are being produced, presented and perceived.”

Aaron Schuman: Remote Hereditary Object-hood in FOLK

“It is often confusing being an American. We are a country deeply concerned with our personal histories, yet there is something peculiar about all of this in so much as that it seems to deflect from what we actually are: American”

The Political Image as Embodiment of Cyclical Failure

“The image itself is being hailed as an icon of the current struggle between the American police state and the tremors of their abhorrent measure to kill young black Americans, which is no doubt racially and economically motivated”.

Chloe Sells: The Morass of Sacred Geometry

“Trees, leaves, flowers are all given the Sells treatment and become abstracted metaphors of the sacred geometry still found between light and organic materials within the aforementioned natural world.”

Elly Rwakoma: Sinking All the Tricks.

“He recalls developing his negatives by moonlight, having to make his way to the ferry on a road thick with often-time un-negotiable elephant herds. He tells of carrying his chemicals with him and cutting down his negatives to get a surplus of possibilities. I never had this.”

Evocations of the Everyday: The Street Pictures of Jeff Wall (2009)

To combine cinematography with photography, Wall took his camera out of the studio along with lights and actors with the intention ofmaking pictures with the look of films from the 1970s that would lend a sharp, documentary style to his pieces. By Graham W. Bell In 1982, Wall took his photography to the street. Combining the aesthetic […]

Nigel Shafran: Dark Rooms

‘A compilation of five interconnected projects, Dark Rooms moves in cycles: birth and death, acquiring and discarding, the banality of routine.’