Death and More Death – Dash Snow’s ‘I Love You Stupid’

@ The Estate of Dash Snow and Courtesy DAP Art shouldn’t be a product of the art world, but a product of the world world.   By Owen Campbell I told my friend I was reading Glenn O’Brien’s intro essay to Dash Snow’s I Love You, Stupid. He said he always thought Dash Snow was […]

Narcissus’ Folly of Youthful Naivete in the Work of Coco Young

@ Coco Young There are references abound… a lineage… Corinne day, Nan Goldin, a bit of Larry lark and I’d like to think a bit of Mark Morrisroe (somehow, I think this is very wishful).   By Brad Feuerhelm, ASX, March 2015 Coco Young’s “Vanity” on Bemojake books is an affirmation of what it is […]

A Near Miss with Zombie Formalism in the Work of Hannah Whitaker

@ Hannah Whitaker, courtesy of Morel Books Hannah Whitaker’s “Peer to Peer” with Morel books could easily be subsumed into the category of “zombie formalism” with its easy abstraction and playful dialogue of purist abstraction and aesthetic formal nuances.   By Brad Feuerhelm, ASX, March 2015 Hannah Whitaker’s “Peer to Peer” with Morel books could […]

An Elegiac Response to the Ghost of Surrealist Decadence in the Work of Paul Kooiker

@ Paul Kooiker This is where our shared habits meet concrete. All the possessions accumulated, obsessions sought and tendered in the infernal light of my psychic affairs have led me into the unforeseen garden of these earthly delights.   By Brad Feuerhelm, ASX, February 2015 August, 1935 This is where our shared habits meet concrete. […]

Slicing, Splicing and Dicing in ‘The Bungalow’

a view from The Bungalow @ Anouk Kruithof I could lament on a narrative that these images might convey – a sort of comment on the very conception of human life, of birth and rebirth and memory and the way each of us will find a different meaning for these images – but that would, I […]