Michael Salerno’s “Childhood”: Wet Boys, Smiley Faces
Michael Salerno’s book “Childhood” on Infinity Land Press is a slow behemoth of articulated components of what it means to be a young boy grown older.
Michael Salerno’s book “Childhood” on Infinity Land Press is a slow behemoth of articulated components of what it means to be a young boy grown older.
It is clever enough to remain completely autonomous and lacks the problematic discourse of “trying too hard”.
Michelle Tagliaferri’s “Grass” is book of natural gravity and beauty. That is to put it simply.
Axel Hoedt’s “Dusk” is a real enemy of the cross – a concise and metaphoric look at the subjects of the Swiss and Austrian tradition of carnival.
The book by Kominek is nocturnal in every way. Black pages, black endpapers, black outlook, black object, black vision.
There are almost no humans in Wender’s photos. I almost forget there’s a human behind the camera in a way that would never happen with other road trip photographers.
Entartete delivers solitary sex and guilt and self-revelation so fierce that sometimes it leaves you gasping. By Eugenie Shinkle, ASX, July 2015 Entartete is German for ‘degenerate’. It’s the title of Rita Lino’s latest book. Picked out in lurid Gothic script, the word greets you like the opening credits of a horror movie, leaving […]
British Watchtowers @ 2007 Donovan Wylie and courtesy of Steidl The watchtower is not, typically, an offensive weapon. It’s an anticipatory instrument, a hedge against the inevitability of future conflict. By Eugenie Shinkle, ASX, July 2015 Built in the 1950s, the Distant Early Warning line, or DEW line, was a system of radar […]
It is a description that I would not normally associate with photography books, but Philip Brookman’s Redlands is a real page turner. By Karin Bareman, ASX, July 2015 It is a description that I would not normally associate with photography books, but Philip Brookman’s Redlands is a real page turner. Within minutes I was […]
The words, “Southern Rites”, are at once a pun on the American ritual of prom… and an echo of the infamous canard, “state’s rights”.
Nothing looks more shot on film than Polaroid, borders visible and technique laid bare.
Sunless is Tiane Doan Na Champassak’s most elevated work yet. The publication itself is beautifully printed and plays with chromophilic metaphor of color in the red, white, and blue of the artist’s French half-nationality.