Raymond Meeks Ciprian Honey Cathedral

“The home is an environment that triggers the senses, memories and the grand narratives that life has to offer”   How one goes about turning a house into a home varies upon experience and sentimental or emotional need. Ownership implies a difference of value. Mortgage and the implied indentured servitude between life and payoff set […]

Guido Guidi Tra L’ altro, 1976-1981 Seasonal Shifts

  “This is a study of composition rendered in a warm burgundy-the result of the image’s “loss” of its true color over time”   The cover of the book is a testament to time and change with an indebted sense of the corporeal. A red rust color permeates the image and a long shadow of […]

Festival Images Vevey Roundup 2020

“Lake Geneva is situated along the borders of France and Swtizerland and is surrounded by dauntingly beautiful Chablis Alps, which features Le Grammont,-the region’s highest summit”   I had the pleasure of visiting the Swiss Biennale Festival Images Vevey last week. The festival, which occurs every two years in the small, but lush town of […]

Mayumi Hosokura’s New Skin

  “This ‘gendering’ includes everything from one’s awareness of their own individual body, to global political and social issues (the feminine pose, the masculine blue colour, the ‘masculinity’ of war)”     Mayumi Hosokura’s New Skin begins with a single quote on its inside cover. It is a quote by Donna Haraway, from her 1988 […]

Piotr Zbierski: Echoes Shades The Ethnography of Shadows

“Are classifications necessary? What are there limits? Who can photograph who and what? “   I am always curious by what we consider the exotic in photographs. I often find myself thinking of the vestigial media forms of the past- all the inconsistencies, problematic discourses, and general selling of anything “other” in photographs, magazines and […]

Gerry Johansson’s Meloni Meloni

“Where is “the thing I am not seeing”?”   We’ve become quite accustomed to understanding the importance of photographs based on the frenetic pace that they occupy. Our eyes are expectant. They hover over an image looking at the embedded chaos of news images, photographs of cities, etc. and when they are challenged with a […]

Hans-Christian Schink’s Slowness as Method in Hinterland

"Slowness as an idea is to suggest something still in the photographic image. If not still, it suggests something tectonic or glacial in pace"   Slowness in photographic terms reflects an indebtedness to a few varying factors. One is of course technical. Large cameras take by comparison a very long time to set up and [...]

Zak Dimitrov Interview With Lucy Soutter

  “When I graduated from CalArts with an MFA in 1993, I moved to New York City. It’s never an easy time to launch as an artist, but that was a particularly bad time. It was pre-internet, of course, so there were fewer ways to get work seen, and the gallery system was very small […]

Samuel Fosso Autoportrait SIX SIX SIX

"Our point of view of the self is hidden and although personal subjectivity is widely considered to be the foundation of image-making at present, we have deluded ourselves for a great number of years suggesting that photography could ever be anything more than the self exposed through images of the exterior."   The greatest gift [...]

Arnaud Montagard: The Road, The Diner and the Drink on the Table

  “In the case of Arnaud Montagard’s The Road Not Taken, the lens is focused on the remnants of a mid-century American dream as exemplified by gas stations and diners that bear all the vernacular hallmarks of the Atomic Age”     The best way to describe human activity in a photograph is to remove […]

Sophie Calle – Because

“The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb” – Umberto Eco, The Name of the Rose. […]