Pierfrancesco Celada When I feel down I take a train to the Happy Valley

I do not believe that humans have developed a sympathetic or synergistic relationship with the cities they passionately build. Enclaves of identity, bastions of activity, cities are, in contemporary times, behemoth-like organims that must be fed, have their circulatory system, and often spread, not unlike a type of virus, slowly devouring everything that lies at […]

No Photo 2025

I think by now it is really no surprise how governments, state and corporate sponsored institutions are purposely ignoring any support for the plight of Palestinians. Their silence and complicity are nothing short of disgusting. In the face of witnessing this wholesale murder these entities cite national security and human rights but clearly in a […]

Batia Suter Parallel Encyclopaediae

  “The past is not dead. It’s not even past.”-Aby Warburg.   Constellations, catalogues, and correlative image processing are at the fundament of Batia Suter’s efforts to respond to images that she deftly places in thick, long-running sequences, in which the associative power of images, in their constellation, invokes a response from the viewer based […]

Wat Der Fuk, Photography: Thoughts Blind Magazines Top 100

These are my initial reactions to Blind Magazine’s 100 Most Influential People in Photography. As I crafted a polite response to another situation earlier this week, I have to admit that I’m a little out of fucks to give about tidying things up to be persuasive about my points, so some of this might come […]

Seriously Photography, What the Fuck Are We Doing?

Today, or at least slightly before I started writing this, I received an email from one of the world’s most significant biennial photography festivals, which awards a substantial financial prize. There are two awards, in fact. One is a general photography award to develop a new project, and the other is a book award. I […]

Interview With Andi Gáldi Vinkó

Artist-photographer Andi Gáldi Vinkó turns her lens on the raw, often overlooked facets of pregnancy and early motherhood. In this interview, she discusses her photobook Sorry I Gave Birth I Disappeared But Now I’m Back and explains how her candid — sometimes subversive — images dismantle stereotypes while illuminating the everyday experiences and unspoken struggles of maternal […]

Dimitris Mytas – Elephant

Parenting in the beginning is chaotic. Time presents as something elusive. It no longer defines the days. It runs together until a point of clarity emerges. The experience is tiring, but surprisingly nurturing in retrospect. Once the smoke of the early years begins to clear and a sense of autonomy returns, one is left to […]

Patrick Tsai – Photographic Memories

It is an interesting moment for the medium of the photobook. The boom dust is beginning to settle as inflation makes the market less navigable. The price of producing photobooks is ont he rise and coincides with a shrinking market size. This is based on a broader conversation with publishers and artists over the past […]

Katrin Koenning – Between the Skin and Sea

  Between the Skin and the Sea is the new book by German artist Katrin Koenning. Katrin lives abroad in Australia, and that will factor into the discussion regarding her latest book, published by Chose Commune, the wonderful French publisher who put out her book with equally talented Sarker Protick in 2016, entitled Astres Noirs. […]

Gregory Halpern – Omaha Sketchbook

If you happened to attend the 2009 NY Art Book Fair, you might have come across Gregory Halpern’s Omaha Sketchbook on the table of J&L Books. This early version was rough and unassuming, printed on a laser printer and spiral-bound, its pages made from cheap white paper with small contact prints affixed throughout. The images […]

Sofia Coppola – Archive 1999-2023

I have never seen a single Sofia Coppola film. This might be surprising for someone reading this book review. Of course, I know her presence and work, but I have not seen the movies for any outward reason. I probably know more about her as a person and a cult hero than  I do about […]

Debsuddha Crossroads

Othering, debated through the discourse of reading the camera as a difference machine, seems at the crux of much of photography’s woes. Challenged by the notion that the machine is neutral in its observational and technical ability, the authorship and cultural means of producing images are undergoing a fruitful re-assessment of its terms to represent, […]