Hans-Christian Schink’s Slowness as Method in Hinterland

"Slowness as an idea is to suggest something still in the photographic image. If not still, it suggests something tectonic or glacial in pace"   Slowness in photographic terms reflects an indebtedness to a few varying factors. One is of course technical. Large cameras take by comparison a very long time to set up and [...]

Zak Dimitrov Interview With Lucy Soutter

  “When I graduated from CalArts with an MFA in 1993, I moved to New York City. It’s never an easy time to launch as an artist, but that was a particularly bad time. It was pre-internet, of course, so there were fewer ways to get work seen, and the gallery system was very small […]

Samuel Fosso Autoportrait SIX SIX SIX

"Our point of view of the self is hidden and although personal subjectivity is widely considered to be the foundation of image-making at present, we have deluded ourselves for a great number of years suggesting that photography could ever be anything more than the self exposed through images of the exterior."   The greatest gift [...]

Arnaud Montagard: The Road, The Diner and the Drink on the Table

  “In the case of Arnaud Montagard’s The Road Not Taken, the lens is focused on the remnants of a mid-century American dream as exemplified by gas stations and diners that bear all the vernacular hallmarks of the Atomic Age”     The best way to describe human activity in a photograph is to remove […]

Sophie Calle – Because

“The good of a book lies in its being read. A book is made up of signs that speak of other signs, which in their turn speak of things. Without an eye to read them, a book contains signs that produce no concepts; therefore it is dumb” – Umberto Eco, The Name of the Rose. […]

Revisiting Claudia Andujar with Marlaine Glicksman

“Photography is the process of discovering the other and, through the other, oneself. Intrinsically, that is why the photographer seeks and discovers new worlds but in the end always shows what is inside himself.” —Claudia Andujar   As a child, Claudia Andujar laid awake and listened silently for the spirits the servants were certain inhabited […]

Felipe Russo’s Garagem Automática: Cruder Forms Exist

  “The de-anthropocentric consideration of nature, of particle, of process is necessary to discuss the framing of new non-human realities”   Let’s consider an alternative version of history that is based on material instead of human folly. There must be a history individuated for the way in which non-animate objects such as petroleum, electricity, and […]

A Texture Akin to Language: Alan Huck Revisits Michael Schmidt’s Waffenruhe

  “The fridge was loud, but outside it was quiet, much quieter.”     There is a literal wall of language separating the two halves of Michael Schmidt’s landmark photobook Waffenruhe (published in 1987 and reprinted in 2018), a visually sprawling text that spans seventeen pages at the center of the book. Despite the text’s […]

Kenta Cobayashi: CHROMATIC ANGULAR CACOPHONY

Professional photographers are typically trained to hide the mutability of digital images, covering up their handiwork to make their subjects look perfect, moreso than reality itself. Cobayashi toys with this mutability.   Swirled up buildings, highways and hair all come together in an ecstatic mix of street fashion-shoot, slice-of-life and cityscape. You can trace the […]

JM Ramírez-Suassi: Fordlândia Interview

  “The photobook is a balance, at least its the intention, between this utopia (or maybe call it heterotopia, a concept made up by Foucault) and a life experience…”   Fordlândia is an incredible book. IT is an imagined place where the 20th Century’s technological and capitalist utopian visions collide with the reality of the […]

Gordon Parks: The Atmosphere of Crime, 1957/2020

  “It would be easy for me to say that this book is published at the right moment and that it correlates a simple reminder about the inhuman conditions of the past…”   It is June 9th, 2020 and as I sit here penning this “review” of Gordon Parks perhaps sadly non-anachronistic and oddly prescient […]