Category Archives: Other
DOUG AITKEN
Doug Aitken: “Black Mirror” (2011)
Doug Aitken – Song 1
An Interview with Hedi Slimane
Tim Blanks interviews designer Hedi Slimane during his legendary tenure as Dior Homme’s Creative Director.
Olivia Arthur – HOME Project Magnum Photos
Magnum Photographer Olivia Arthur on the subject of “HOME” In collaboration with FUJIFILM, Magnum Photos is on a major new project exploring the subject of “HOME”. An exhibition of the work will tour to seven cities around the world starting in March 2018, and be accompanied by a photobook. 16 Magnum Photographers will explore the […]
NET ART
The Latest Internet Art on ASX Jon Rafman – The 2018 Sobey Art AwardPeter Mann: A Perfumed Hand GrenadeThe Artist as Collector @ Unseen: The Hive Mind of Understanding De-materialised DocumentsJon Rafman – “Neon Parallel 1996”JON RAFMAN: “Main Squeeze” (2014)Thomas Ruff: Aesthetic of the PixelASX Interviews Joachim SchmidASX.TV: Petra Cortright – “.*` .* ;`*,`., `, [...]
Doug Aitken: “Electric Earth” (2016)
Doug Aitken’s first North American survey is organized as a full collaboration and dialogue with the artist. From his breakthrough installation diamond sea (1997) to his most recent event-based work Black Mirror (2011), the exhibition unfolds around the major moving-image installations that articulate his thematic interest in environmental and post-industrial decay, urban abandonment, and the […]
ASX.TV: Larry Clark Interviews – 30 Years of Snapshots (2017)
Larry came to Paris with some of his photographs shot during the last 30 years allowing fans to buy for 100 box a piece. It happened at Galerie Rue Antoine. Dream&Co was there and we interviewed him for you. EXPLORE ALL LARRY CLARK ON ASX
Cucurrucucu: Considering the Crime
“Perhaps it is a fantasy that one could wield power over the representation of death by its abstracted nature? Is this not a dangerous game to play god over the image of death?”
Nadav Kander: ICON Propaganda TIME
“Images are certainly unavoidable in a future broadcast by terms of repetition over that of substance and acknowledgement in their immediacy of display”
Robin Cracknell’s Automatic Topographic Family
“Cracknell plays with aversion and identity politics while also employing the device of youth and the embattled ideology of innocence that comes with it.”