“I tell myself that I am a limitless being until I realize my left shoe is untied and I sit on the curb to attend to its misshapen spaghetti-form of inconsequential circumstance. What point these shoes”?
“The “focus” is very eclectic as are my tastes. They are always changing and have been enlarging these past years. The collection has been very contemporary-based from the start and that is still true”. -GCB
“It is not just the stitched building that become hidden, but also the remnants of architecture that in turn become strange shrines populating a city-disused and unserviceable pieces of utilitarian function that have not been ordered into exile…”
“…In a landscape where nothing was recognizable, except the clouds, and in the middle, in a field of forces crossing tensions and destructive explosions, the tiny and fragile human body”-from Illuminations: Essays and Reflections.
“It is true that he made images at a distance, at arms length as it were, but there is a considerable, rather a palpable feeling in the images that Heath is almost placing himself next to his subject”.
“The discipline of history is to weigh heavily on our beings. Without the harness of its chagrin, we float hereditarily as non-entity, just as we float into those futures in the same capacity of nothingness, but presumed possibility”.
“I think that this is an argument that needs definition and that in doing so, following it up with the above analysis mentioning of colluding Nazis to the smell of shit and gay activity to the Nazi and his shitting, we are reducing gay men to shit smelling Nazis whose sexuality is thus limited and demonized incorrectly”
“There is also the play of “organic sight” seen from the unusual perspective looking down from above. It’s a interesting play between seeing things (purposefully without use of drone)…”
“I was at the time considering how closely cyanide and almonds share a space on the tree of life, blissfully co-existing to produce milk for incompetent digesters while also nestled very close on the same branch which gave Himmler a soft exit.”
“Visually and technically for photography, the season is something of a conundrum, it is firstly a phenomenon that catches our impassioned attentions but it is also incredibly loathsome to be captured on film…”
“Cameras are now so advanced that the way we look at our image is now under the threat of becoming unrecognizable with its intense dedication to the state of high definition-pores counted, we recognize a hyper version of our once-future self absconded just far enough to promote simulation and techno-progress, but still close enough to give us doubt about our reflection.”
“Until you step into the frame of a divide, whether racial, economic or other, the words, the calculations and the slow pulse of a printer spitting out excel spreadsheets and dissertations for coffee-stained board room meetings to university viva defense chambers simply limit the constituency that they purports to encourage…”