Ben Millar Cole, After ‘A Sudden Gust of Wind (after Hokusai)’ (2024) After Wall: The Wood Wide Web and AI Art By Ben Millar Cole In 1993, Jeff Wall meticulously reworked Hokusai’s famous 19th century woodblock print A Sudden Gust of Wind at Ejri as a large-scale photograph, spending more than a year in […]
I know very little about architecture. I am aware of certain Starchitects, of which Mexican architect Luis Barragán could be considered part of the milieu. A starchitect is one of the high-profile architects who became a household name. A list of starchitects could include, but is not limited to, Zaha Hadid, Tadao Ando, Frank […]
Of all the brilliant books that have come to pass in 2024, I want to highlight T-Club by Libuše Jarcovjáková, an artist finally getting some due over the past years. I briefly met Libuše this past week in Paris and was taken with her. I gather a sense of a great understanding of the […]
With the recent emphasis on street photography found in volumes such as Matt Stuart’s Think Like a Street Photographer (Laurence King Publishing, 2021) and Reclaim the Street: Street Photography’s Moment, Matt Stuart with Stephen McLaren (Thames & Hudson, 2023), there seems to be a renewed awakening to the genre. If the countless YouTube videos about […]
It has taken me a few weeks to elucidate my feelings in reviewing Gregory’s new book King, Queen, Knave, published by MACK this past month. I had previously seen some photographs in a workshop we facilitated in Athens with Gregory, Raymond Meeks, Adrianna Ault, and Tim Carpenter. I remember the images well, though I am […]
As I found with Whatever You Say, Say Nothing by Gilles Peress (Steidl), The Troubles and their representation are incredibly difficult to write about from the point of view of an outsider. It is a very touchy subject. Even posting about it on social media platforms (as I also found out) will have opposing […]
Forest photography is a challenging art. I mention this regarding the photobook format, as the most significant complication of sequencing a book from a photographic forest yield is the difficulty of repetition. The question is, “How many photographs of trees can I look at without losing interest?” and “How much minute variation of a […]
Some photobooks are detailed by their direct exercises in story building. In contrast, others ask that the viewer read them holistically as an environment, a stage in which ideas are distributed, but with fewer absolutes regarding their nature. Hints are dropped, and some images carry the conceptual load of what the press release suggests as […]
2024 has been an excellent year for photobooks. I am surprised that after the past few years with fewer titles surfacing into greatness, 2024 has presented so many outstanding titles. It gives me a bit of hope that the medium is picking up again, though I suspect inflation and a general shrinkage of audience […]
Paul Graham’s new books Ambergris/Verdigris, published this year by MACK, have several parallels worth exploring. First and foremost, it should be said that these titles feel like a return to form. While I am a fan of most of Graham’s bodies of works, the last books have been very inward and family-oriented. There is […]
As an American living in Europe, I have never gotten my head around the vestigial tail of pagan rituals that still occasionally surface here. They do not happen often, but I am continuously bemused when they do. They seem to function on either fire or water. During the opening season, which includes springtime fertility […]
Editor’s note: I just got some more background info on the making of the book. So, it turns out this has always been the intended size (as designed in totality by Chris) and that Steidl actually did print it one point, but the estate rejected the printing for it being overly muddy, which is really […]