We have yet to reconcile the deep chasm of exchange in the American order during the fateful summer and winter of 1969. During the rightfully dubbed Summer of Hate, the Manson Family murders shook the very bedrock of the American free lovin’ psyche. The significance of the murders ended the free wheelin’ summer of […]
We fail our images and images fail our desires. In trying to deliberate over which side of failure images are consigned to, the human side versus the side of the function of the image itself, it is hard to not implicate oneself in misunderstanding the function of a photographic image. We have come to expect […]
One of the most profound experiences of my visual life came with the discovery of Jeffrey Silverthorne’s The Woman Who Died in Her Sleep, 1972. I believe that I encountered the image in William Ewing’s book The Body: Photographs of the Human Form, 1994. I could be wrong as I no longer own a copy […]
There is a resurgence in recent years to look at the topic of industry and labor among artists considering the monumental shift that society is experiencing from manual labor to skilled labor. Over half of the projects that I encounter regarding the shift to automation revolve around digital territories-projects about AI, automation, cryptocurrencies, and […]
Ammoniaque is a simple book. I would almost describe the images within it as minimal. Alexis Desgagnés, a Canadian photographer working in Montreal has chosen to focus his attention on one wall, an intimate object oddly teeming with signs of life or human intervention in an industrialized area of the city situated off Moreau […]
I am attracted to the idea of audibility in photographs. In assessing my desire to hear photographs, I would suggest that this stems from a few reasons. Firstly, the static and still nature of a photograph rent from the passing and often raucous movement of life is singular in its condition to be viewed […]
Where the interior of anything of consequence meets its exterior lies a point of tension that is best understood by an examination of limits. In terms of social experience and urban dwelling, this is no different. Designs in 20th and 21st-century forms of living have made the urban experience a questionable experiment much to […]
One of the enduring traits found in the photography of Luigi Ghirri is the way in which the artist played with the camera and the optical alignment of photographic images. His quest for optical games, shooting from behind the corner or through the veil as it were created a dialogue in photography that at […]
Christine Gössler exists in my mind, or rather the photographs of her, as the eternal notion of elegy in the photographic medium. Whereas she does not haunt my own memories, I feel the burden and the weight of her portraits through the images shot and books made by her husband Seiichi Furuya. When I suggest […]
Photography has a long history of documenting performances and rituals. The two terms, though separate are inexorably linked when they cross the path of divinity in all of its forms, invocations, and variations. From Christianity to the most abject forms of its antithesis, photography has always been instrumental in the documentation of rituals, the […]
Are we defined by our periods between tragedy or by the politics of the tragedy itself? During the course of the 21st Century, our lives feel constantly intertwined and defined by a sense of paralysis regarding global events. We are a media-manipulated species whose ability to read the political terrain is constantly undermined by […]
Perhaps it is because we live in a time where our affinity towards our natural environment has faced a grave and perilous threat that we are beginning to look inward towards the world around us, particularly to the natural world and the affirming images that it conjures on a micro-level. After centuries of technological […]