Diane Arbus: “Arbus’s Box of Ten Photographs” (2003)

A young family in Brooklyn going for a Sunday outing. Their baby in named Dawn. Their son is retarded. NYC, 1966   The ten photographs, all of people except for the one of a Christmas tree in the corner of a home in Levittown, New York, show a range of groupings, from single figures to […]

Susan Sontag: “Speech and Inteview at Wellesley College (1975)

June 8, 1972 @ Nick Ut Excerpt from a speech delivered at a Wellesley College photographic symposium on April 21, 1975. I am a writer and a filmmaker. I don’t consider myself a critic, and I am above all not a critic of photography. But it’s from that strictly independent and freelance position that I […]

Roni Horn – “Haraldsdóttir Part Two” (2011)

Roni Horn, Haraldsdóttir Part Two (2011), 10th book in the series, To Place. By Fanny Landstrom for ASX, June 2013 With titles such as Lava, Hot Pools and Verne’s Journey, each book in the series, To Place, are a separate body of material, consisting of 10 books all concerned with different aspects of the nature […]

Stephen Gill’s “Best Before End” at FOAM (2013)

  Talking to Ants 2 © Stephen Gill courtesy of the artist Fanny Landstrom reviews Stephen Gill’s exhibition, Best Before End, at the Foam Museum, Amsterdam (17th May – 14th July, 2013) for ASX, May 2013  “Stephen Gill has learnt this: to haunt the places that haunt him. His photo-accumulations demonstrate a tender vision factored out of […]

An Interview with Anna Fox (2013)

From 41 Hewitt Road By Niccolò Fano for ASX, May 2013 Anna Fox (born 1961) has been taking pictures for over thirty years, documenting her surroundings and reinforcing the strong tradition of British colour photography initiated and developed by practitioners such as Martin Parr, Paul Graham and Paul Reas. Her work is often described as […]

An Interview with Koji Onaka (2013) – Drifting Free on a ‘Twin Boat’

  “The suburbs don’t change at the same pace of cities. Some of the places I visited twenty years ago will look the same way today. I’m not interested in crowds, so it’s more conducive to my working habits to be in the suburbs.”   Vladimir Gintoff interviews Koji Onaka for ASX. May 2013, at […]

Bill Owens: “American Photography and the American Dream” (excerpt) (1991)

The people in Owen’s book Suburbia, are still under the “spell” of the American Dream. They live in California suburban communities where, according to Owens, “everyone… lives ‘the good life’, which means having attractive homes, high paying jobs, swimming pools and shiny cars.”   By James Guimond, excerpt from American Photography and the American Dream, […]

Lee Friedlander Puts Your Selfies to Shame

  “At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to those feelings.” – Lee Friedlander Lee Friedlander: Self Portrait Museum of Modern Art EXPLORE ALL LEE FRIEDLANDER ON ASX […]

About Irving Klaw – “An Interview with Paula Klaw” (1980)

By Gloria Leonard, originally published in High Society,  October 1980 In an exclusive interview with Paula Klaw, Gloria uncovers the fascinating birth of commercial bondage photography in the U.S. The surprising private life of Betty Page, the all-time favorite bondage model, is revealed as well as the story of the government’s relentless efforts to stamp […]

DAIDO MORIYAMA: “BYE BYE PHOTOGRAPHY” (1972)

Bye Bye Photography. The photographer’s third book: a masterpiece of Japanese photography, and the book that best illustrates the conceptual ideals and vision of the Provoke photographers. Here Moriyama pushes the boundaries of the medium: assembling images from a variety of sources, placing them in a tumultuous and discordant anti-sequence, and assaulting the viewer with […]

An Interview with Andy Warhol – “Modern Myths” (excerpt) (1981)

Jean-Micheal Basquiat This excerpt is from an interview with Andy Warhol, conducted in Warhol’s Factory in 1981, that was originally published in Arts Magazine (October 1981). Barry Blinderman: As a portraitist, what do you feel is most important to express? Andy Warhol: I always try to make the person look good. It’s easier if you […]