Marco Marzocchi: How To Destroy Everything

What a strange process it is to sift through the remains of an anonymous person’s photographic trail. You look for clues of authorship, economic circumstance, and their loved ones who emerge through their images in repetition. You try to stitch together a narrative when there may very well not be one to consider. This is […]

A Conversation Between Robert Morat and Matteo Di Giovanni

RM: What is “home“ to you? Maybe also talk about where and how you grew up and where you feel your roots are. MDG: This is a question I’ve been asking myself many times in the last few years and – to be frank – I still don’t have a definitive answer. I’m more prone […]

Laura Rodari’s Tremulous MALìA

  “The sky trembled and the ground cracked releasing a long and enduring hissing sound-a novella sprung from Aeolus’ purse”     He and his men had turned to stone-a frozen grimace occupied the folds near the corner of his mouth, and their eyes glazed adrift upwards and fearful. Aside from the tales of witchcraft, […]

Massimo Leardini’s Elv: Limbs Both Human and Other

  “Her one arm is half-raised above the parapet of the water’s edge all soft and white-gone from the limb its rose pigment associated with the flourish of life”   Her one arm is half-raised above the parapet of the water’s edge all soft and white-gone from the limb its rose pigment associated with the […]

Luigi Ghirri: ‘Kodachrome’ (2013)

Egmond am Zee, 1973     Despite exposure in Europe during his lifetime, Ghirri remained relatively unknown outside of Italy. More than a decade after his death in 1992, galleries throughout Europe presented his work, and Aperture published his first monograph in English. By Allie Haeusslein, Associate Director at Pier 24 Photography, June 2013 The […]

CARLO MOLLINO: POLAROIDS, ETC (1962-1973)

  In a career that spanned more than four decades, Carlo Mollino designed buildings, homes, furniture, cars, aircraft. One of the most dashing figures of mid-century Italy, Mollino was famed for his design finesse and his elegant organicism. In 1949 he published an important book on photography: Message from the Darkroom. Sometime around 1960, he […]