Girl Before A Mirror by Pablo Picasso “People are always asking me to sign my old canvases. It’s ridiculous!” – Picasso An excerpt from Conversations with Picasso by Brassaï Wednesday 20 October 1943 The table, only yesterday covered with dust, is completely clean. Catalogs, brochures, books, and letters have been carefully dusted and even arranged by size […]
Heaven Hell @ Ed Ruscha “I have really no direction, I have no plans. I can’t write my future. I can’t write my own history. I’m most fascinated by that one idea of the things that are undone now, will be done in five years time.” – Ed Ruscha MR. RUSCHA: I think the […]
“No it’s not!” I said, “I’m going to prove to you that it’s not. I can do this and it’s not pornography!”
”I go to places and I have the belief that if I can photograph well, the places will educate me to things I do not know about them.”
“(Congo) is one of the very few places in the world that has not been extensively documented.”
On ‘Gathered Leaves’ at the Media Space, Science Museum
“I consider the photograph as an imprint, remnant, of an activity. The fact that the photograph exists implies a viewer located it at a specific place and time”. Brad Feuerhelm in Conversation with John Divola, October 2015 BF: I’ve been reading some of your interviews from the 80’s to present. What strikes me is the consistency […]
“There is a relevant question: can I learn anything from a dead body, from a corpse without a name and history? It is only a dead piece of meat that has a certain shape but it has no story. So I document dead piece of meat, indeed”. An Interview with Goran Bertok, by Brad Feuerhelm […]
“I was 28-years-old when I took my first photo, and it felt good.”
” I believe that art has a power to challenge our preconceived perceptions and suggest new perspectives. Fujiwara’s “Code Unknown” is an ambitious work that explores a new approach towards the issue of portrait rights and privacy that we often face in today’s visual culture”. By Brad Feuerhelm IMA gallery’s main focus is to help young […]
“I tend to find that my sculptural work comes from far clearer visions before they are constructed. I start by making drawings, like blueprints, mainly of new architectural features. I then allow the processes that I use between photography and sculpture to inform the final work.” Fanny Landström with Felicity Hammond, ASX, September 2015 A […]
”It’s like theatre and actually for those days of the fair it is a bit like being on stage with the artworks. The opening day of any fair, Unseen and Paris Photo especially, are like hosting a party, you catch up with friends and colleagues but meet new ones too. It can be a lot […]