Brad Feuerhelm: Photography Class of 2016?

“you think…”Well Sweetheart if you don’t want to hear this …Why the fuck are you here in the first place? Go forth and make your way towards the golden honey pot of money and museum exhibitions, you terrible fuck”. Don’t let me stop you or waste my time with your bullshit. Seriously”

Alejandro Cartagena: Cultural Picture Coding and Collapse

“This symbology, this fervent fabric of decline is screened within the book, but it is subtle and perhaps that is why, it is doomed, like human behaviour and meaning, to the sidelines of a genetic and shared understanding of images. “

2224 Kolkata: Plums Deep In Corpse Fat

“I mean corpse fat and soap, I remember the nazis doing something like that…is that why the women wash their clothes in it while the naked children, with their distended bellies, watch?”

Gerard Petrus Fieret: Interview With Diane Dufour, Le Bal

“The huge and quite exaggerated size of his signatures, the mushrooming of his stamps with the clear mention of the copyright “by G. Fieret” render apparent Fieret’s excessive need for recognition. Those are also signs of some sort of defensive strategy from a legal point of view – Fieret always felt threatened by the idea of being stolen or plagiarized”

Yoshi Kametani’s Played: Margins of Timing

“We have inherited a way of understanding events and time through images or are allowed to fashion our own prognosis of the interpretation of linear elements by looking inward and at the spaces between images…”