Chance Encounters: Interview with Taiyo Onorato & Nico Krebs
“There nothing more boring than, lets say, a picture of a chair and everybody looking at it thinks, well, thats a chair.”
“There nothing more boring than, lets say, a picture of a chair and everybody looking at it thinks, well, thats a chair.”
“The impure spectacle of such visions are entitled to the epileptic alone though the corroboration of these events can be described by other seizure subscribers partially as “primordial” for lack of cohesive unanimous declaration”
“Upon opening the package a feather and an anvil fell onto my groin. I have carried them since like a pebble in my shoe that I refuse to set aside or extract”
“The story of Manuel Blanco Romasanta is indeed shocking. Known as one Spain’s more notorious serial killers, Romasanta was described in period nomenclature as the “Tallow Man”, known for making soap from his murdered victims”
“Agamben’s ‘bare life’ is visualized through the refugees and migrants, desperate lives in search of a better future and for us, a potential vision of a dystopia where the extreme polarity between those of us inside and those outside is distinctly highlighted.”
Tiffany Godoy hangs out with photographer Ren Hang. EXPLORE ALL REN HANG ON ASX
“Political will is always and will always be separate from a photographic work tendered to the categorization of falsely recognized truth de facto of real-time experience”
99 SECONDS OF: Hans-Peter Feldmann Fotografieausstellung C/O Berlin 30.04. – 10.07.2016 „Wenn ich etwas richtig kann, dann ist das schauen“ Hans-Peter Feldmann Verwunderung, Zustimmung, Empörung, Unverständnis, Euphorie oder Freude – Hans-Peter Feldmanns Bilder aus dem gewöhnlichen Leben lösen heftige Reaktionen aus. Wie können die schlichten, banalen Fotografien von Frauenkleidern, Autoradios, Kühlschränken, Erdbeeren, Sonnenuntergängen, Badenixen oder […]
“Certainly, Tillmans is enormously curious, yet his works offer surprisingly little insight. All is surface and rarely is it scratched”
“Every snapshot is an unexpected and sometimes inconvenient encounter with fate”
Doug Aitken’s first North American survey is organized as a full collaboration and dialogue with the artist. From his breakthrough installation diamond sea (1997) to his most recent event-based work Black Mirror (2011), the exhibition unfolds around the major moving-image installations that articulate his thematic interest in environmental and post-industrial decay, urban abandonment, and the […]
“Is Mosse really showing us the plight of migrant subjects, or indirectly something of his work’s own quandary, and by extension, white photography’s lack of critical engagement with race?”