Allan Sekula: Ask the Dust
“As the project jumps backwards and forwards in time, and geographically, from one city to the next, the sequence returns again and again to Los Angeles”
“As the project jumps backwards and forwards in time, and geographically, from one city to the next, the sequence returns again and again to Los Angeles”
“It is true that he made images at a distance, at arms length as it were, but there is a considerable, rather a palpable feeling in the images that Heath is almost placing himself next to his subject”.
Solomon D. Butcher Photograph Collection The Solomon D. Butcher Collection comprises nearly 3,500 glass plate negatives crafted between 1886 and 1912. It was the photographer’s intention to record the process of homesteading, which he shrewdly recognized as a transient, yet important, epoch in the story of the American West. Between 1886 and 1891, Butcher […]
“The discipline of history is to weigh heavily on our beings. Without the harness of its chagrin, we float hereditarily as non-entity, just as we float into those futures in the same capacity of nothingness, but presumed possibility”.
“The main issue, which arises quickly, is that too many of the works appear to rest too comfortably on the visual laurels of their specific influences rather than becoming definably hers. For example…”
Lee Balterman (American, 1920- ) was born at Augustana Hospital in Chicago. After graduating high school in 1938, he went on to take evening classes in drawing and painting at the School of the Art Institute of Chicago – the only formal training of his career. At 86, he continues to live and photograph […]
“I think that this is an argument that needs definition and that in doing so, following it up with the above analysis mentioning of colluding Nazis to the smell of shit and gay activity to the Nazi and his shitting, we are reducing gay men to shit smelling Nazis whose sexuality is thus limited and demonized incorrectly”
“There is also the play of “organic sight” seen from the unusual perspective looking down from above. It’s a interesting play between seeing things (purposefully without use of drone)…”
“I was at the time considering how closely cyanide and almonds share a space on the tree of life, blissfully co-existing to produce milk for incompetent digesters while also nestled very close on the same branch which gave Himmler a soft exit.”
“The title Moksha is a Sanskrit word for liberation or emancipation and for me relates not only the freedom gained with independence from the colonial rule but alludes to a freedom of the mind, a spiritual freedom of unlinking oneself from the bind of oppressive states of existence.”
“Visually and technically for photography, the season is something of a conundrum, it is firstly a phenomenon that catches our impassioned attentions but it is also incredibly loathsome to be captured on film…”
“Cameras are now so advanced that the way we look at our image is now under the threat of becoming unrecognizable with its intense dedication to the state of high definition-pores counted, we recognize a hyper version of our once-future self absconded just far enough to promote simulation and techno-progress, but still close enough to give us doubt about our reflection.”