Kensuke Koike & Thomas Sauvin: No Cut Left to Chance

“So, when you look at these images, you have to understand the basic principal of the work, but also a sort of mythical sacred geometric ability to render form within an existing image that which has been removed with an exactitude of skill much above that which most people are able.”

AM Projects & Akina: BKK Experimental

“I went with Laura looking for gay go-go bars and assisting her to shoot in brothels and demolished hotels, I shot with Daisuke in backstreets at night (he was photographing with some weird infrared hunting device) while Hiroshi was using a document hand-scanner to capture surfaces and the intricacy of bed-sheets, lingerie and curtains, later on we found out he also scanned bodies. I spent the nights with Olivier wandering the dark corners of Chinatown.”

Boris Mikhailov – A Way Out (2017)

Boris Mikhailov was born in Kharkov, Ukraine and came to prominence in the 1990s. His work often focuses on the politics of everyday life during the Soviet era and its aftermath. In Red 1968-75, Mikhailov depticts life in and around Kharkov, using the colour red as a symbolic reminder of the inescapable presence of the […]

Bp Laval: Take the world in a love embrace!

“Laval creates a disturbing emotional wilderness, drawing us as viewers into his bush of ghosts with a sense that anything could happen—a couple doing it in the road, a threesome engaged on a mystic highway, a goddess as figurehead on the vehicle in the car chase. Voyeuristic, atavistic, altruistic”.

Bombing L.A. – Los Angeles Graffiti Documentary (1990)

https://www.youtube.com/watch?v=j4EI4zXJCPs This 1990 documentary chronicles Los Angeles graffiti during the late 1980’s with some of the most well known writers and crews of the time. Shot from a graffiti writers perspective, the question of whether it’s art or vandalism is left for you to decide. Crews Featured – WCA, KSN, STN, K2S, UA. Produced and […]

NYC Subway Graffiti Artist Sharp – Interview (1984)

Chester Pannell interviews Sharp regarding his subway graffiti in New York City, which at the time was rather controversial and debated as a form of art. His paranoia is understandable, as anyone actually living in the year of Orwell could relate. A restored version will be released in the far future. Feb. 1984, episode #34.

Nancy Rexroth: Iowa, A Dream State Not Your Own

“Iowa as book itself harbors this moored kingdom previously mentioned as a state of internal configuration and a series of fluid and potential possible memories prescribed for others. It is an evocation of sorts.”

Gordon Parks: Collected Works of an Alien Afloat In Genius

  Gordon Parks was first described to me as a renaissance man for his enduring and unfailing talent behind a lens. I think in those terms adding to this moniker Renaissance Alien would not be incorrect.   There are certain people in this world in which there is no other possible recourse but to name […]

Ai Weiwei – Art, Awareness and the Refugee Crisis

  Exiled in Europe, Chinese artist Ai Weiwei has made the refugee crisis central to his work. We accompanied him behind the scenes of his latest film ‘Human Flow’. Ai Weiwei: Is he only an uncomfortable critic or one of the most brilliant artists of our time? Subject to government surveillance, detention and house arrest […]