ASX.TV: Takashi Homma – “Interview” (2009)
60年代〜70年代の日本の写真集史について、ずっと写真のことを考えてきた写真家ホンマタカシさんを取材させて頂きました。 We had a chat with photographer Takashi Homma about Japanese photobooks from the 1960s & 70s.
60年代〜70年代の日本の写真集史について、ずっと写真のことを考えてきた写真家ホンマタカシさんを取材させて頂きました。 We had a chat with photographer Takashi Homma about Japanese photobooks from the 1960s & 70s.
“Let’s be honest. There is no such a thing as objectivity, and there is no action that is not in part driven by the subconscious, whether it be individual or collective.” On March 18, 1998, Gilles Peress participated in a chat with students of Gretchen Garlinghouse’s advanced photography class at College Preparatory School in […]
By Nat Trotman, originally published in Afterimage, May 1, 2002 In the ongoing push for consumer ease that characterizes the history of popular photography, the Polaroid Corporation stands as the undisputed champion of the later twentieth century. Among its many successes and numerous patents–including the process of polarization from which the corporation adapted its name–the […]
“Well, there’s no question about it, that one does become a junkie, there are war junkies and they are around today. I know individuals, personally, and I can see what they’re suffering from…” Transcript of the BBC John Tusa Interview with Don McCullin It can’t be easy bearing the title of the world’s greatest […]
Oral history interview with Arthur Rothstein, 1964 May 25, Archives of American Art, Smithsonian Institution. Interview with Arthur Rothstein Conducted by Richard Doud In New York, New York May 25, 1964 RICHARD DOUD: This is an interview with Arthur Rothstein in New York City, May 24, 1964. The interviewer is Richard K. Doud. ARTHUR ROTHSTEIN: […]
By Doug Rickard, ASX, August 2009 Todd Hido’s new and unpublished work walks a fine line, a line that exists in the viewer rather than Todd. The work seems to come into existence through the eye’s of a smeared-single-pane-window voyeurish fog. It is the adult-white-male fog of childhood memories, and the mental hot-iron-branding of broken […]
Oral history interview with Gordon Parks, 1964 Dec. 30, Archives of American Art, Smithsonian Institution. Interview with Gordon Parks Conducted by Richard Doud In New York December 30, 1964 RICHARD DOUD: If you would, Mr. Parks, I’d like to hear something about your background and how you became interested in photography in the first place. […]
“There is a rhyme between different elements. There is a square here, rectangle and other rectangle…see its all these problems which I’m preoccupied with. The greatest joy for me is geometry that means a structure.” The Decisive Moment – Photographs and Words by Henri Cartier-Bresson (1973) Henri Cartier-Bresson “I’ve been taking pictures when I […]
Image @ Joel Meyerowitz “Vaguely Stealthy Creatures”: Max Kozloff on the Poetics of Street Photography By Martin Patrick, Afterimage, December 22, 2002 The critic Max Kozloff frequently reminds his readers of the inherent instability of meaning within the photographic medium. In an early essay (from 1964) he considers “the aesthetic situation in photography to be […]
“It’s so difficult because it’s everywhere, every place, all the time, even right now. It’s the view of this pen in my hand as I write this, it’s an image of your hands holding this book, Drift your consciousness up and out of this text and see: it’s right there, across the room – there… […]
Interview: Gil Blank with Thomas Struth Originally published in Whitewall Magazine, Volume 6, 2007 Gil Blank: I’d like to begin by asking how you perceive the nature of subjectivity within contemporary imagemaking. The concept of subjectivity, and even the word itself, is a loaded one within current artistic discourse, so I think it would be […]
Brett Weston With New Car, 1978 by Martha Casanave Interview with Brett Weston by Steve Anchell, December 3, 1991 – Originally appeared in PhotoPro Magazine, 1992 He has been called a photographers’ photographer. His virtuoso work has been compared in it’s influence to that of Bach, and parallels have been drawn between his life and […]