Thomas Ruff talks to Philip Pocock (1993) Philip Pocock: Unlike the Neue Sachlichkeit of Sander or Renger-Patzsch, there is a clear crisis of belief in the objectivity of your medium in your work. True or false? Thomas Ruff: It’s both. It’s true and false. They also used the camera as an instrument to take pictures. […]
The work of late American photographer Francesca Woodman, produced from the mid- to late-1970s, displays a unique artistic displacement and transformation of ‘feminine’ identity.
“Manufactured Landscapes”: An Interview with Ed Burtynsky John K. Grande : What made you decide to start your photo lab, Toronto Image Works? Ed Burtynsky : When I graduated from Ryerson Polytechnic, there was no access to professional darkrooms in Toronto. After four years of working at home in the basement, I realized how inefficient […]
Red Cross, 2008 Los Angeles: Otis College of Art and Design, 2009, pp. 72-75 Elad Lassry approaches photography as if it is intangible, assuming that when broken into parts, the medium can productively turn in on itself. Lassry brings curiosity and intellect to “looking” and to the appropriation of existing images, displaying an unusually subtle […]
Chi LA #84 By Stephen Longmire, Afterimage, July 1, 2005 If Edward Hopper had been a photographer, he might have been Art Sinsabaugh. Both are poets of the ordinary, of the inhabited but often unpeopled landscape, sociologists of the visual with a magical realist touch. And both take as opportunities for their pictures the way the […]
Through a Glass, Darkly: Photography and Cultural Memory By: Alan Trachtenberg, Social Research, Saturday, March 22, 2008 “I don’t know why a Replicant would collect photos – maybe they were like Rachel – they needed memories.” In the role of the bounty hunter Rick Deckard in Ridley Scott’s 1982 cult classic, Blade Runner, Harrison Ford […]
“I don’t think we need that at all, any more; we already know, to the point of ennui, what the world looks like in photographs.” Interview with Lewis Baltz: Jean-Pierre Greff and Elisabeth Milon The photographer Lewis Baltz, originally from California, has spent the past thirty years, mainly in urban and suburban surroundings, bringing […]
An Interview with Therese Mulligan (1998), Curator of Photography, The George Eastman House, Rochester, NY By Richard Leslie Interviewer’s Statement Therese Mulligan, Curator of Photography, George Eastman House , is unable to participate in ASCI’s upcoming panel “Collectibility & the Digital Print.” However, she graciously answered a number of questions developed from informal consultations with […]
“So I asked my brother to get me a camera. I’d seen one in a camera shop, a Leica for $25. I said, ‘You get it for me; and if I can’t get anything in a magazine off the first roll,’ – I was pretty cocky – ‘then I’ll give it back to you.’” […]
Jorge Luis runs the most popular news blog in Ciudad Juarez. His site is called “La Polaka,” which is a derogatory word for “politician” in Mexican slang. Last fall after receiving threats to his life, Luis and his family fled the city for the safety of El Paso, Texas.
ASX CHANNEL: Henri Cartier-Bresson
The Treacherous Medium: Why Photography Critics Hate Photographs Boston Review, by Susie Linfield In 1846, Charles Baudelaire wrote a little essay called “What is the Good of Criticism?” This is a question that virtually every critic asks herself at some point, and that some have answered with hopelessness, despair, even self-loathing. Baudelaire didn’t think that […]